JANET LAURENCE, Fall, from the series Once Were Forests, 2023, Duraclear on shinkalite acrylic, oil pigment, 100 X 240 X 10cm.

Anne Zahalka, Exotic Birds from the Wild Life series, 2017, Archival pigment inks on rag paper, edition of 10 + 2AP, 7/10

Anne Zahalka, Alpine Scene, 2008, Archival pigment inks on rag paper, edition of 10 + 2AP, 8/10 90 x 90 cm

Anne Zahalka, Windy Weather, 2008, Archival pigment inks on rag paper, edition of 10 + 2AP, 8/10 84.5 x 84.5 cm

Anne Zahalka, Alpinists, 2008, Archival pigment inks on rag paper, edition of 10 + 2AP, 3/10 90 x 90 cm

Pat Brassington, The Long Goodbye, 2017, Pigment Print, edition of 8 + 2 A/P, 90 x 72cm

Pat Brassington, Parachute, 2005, Pigment Print, edition of 6 + 2 A/P, 86 x 62 cm

Pat Brassington, Twins, 2001, Pigment Print, edition of 4 + 2 A/P, 70 x 55.3 cm

Pat Brassington, Tailor Made, 2004, pigment print, edition of 6 + 2AP, AP/2 86 x 60 cm

Pat Brassington, Fragments of/from Memory #7, 2002 Pigment Print, edition of 4 + 2 A/P, 25 x 18 cm

Pat Brassington, Fragments of/from Memory #3, 2002, Pigment Print, edition of 4 + 2 A/P, 25 x 18 cm

Imants Tillers, The disquieting muses (if in blank...), 2023, synthetic polymer paint, gouache on 54 canvas boards, 229 x 214 cm

Janet Laurence, Halo, from the series Once Were Forests, 2023, Duraclear on shinkalite acrylic, oil pigment, 100 x 205 x 10 cm

John Young, Naïve and Sentimental XXIX, 2023, Oil on Belgian linen, 200 x 270 cm

Robert Owen, Sorry stones, Community, from the Tears of History series, 2000-2004, Astral black granite, 22 components, dimensions variable. Collection: Art Gallery of New South Wales