IMANTS TILLERS

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IMANTS TILLERS, one of the most significant artists in the country, stands as a pioneer in the postmodern, transnational appropriation art movement. Since his inaugural solo exhibition in 1973, Tillers has built a reputation as an artist of rigorous intellect and sophistication, with a distinct unique visual language. His paintings unfold as unmistakable cascades of references, images, and words borrowed, recombined, and represented. Mindful of his position as a settler-migrant artist, Tillers persistently addresses the crucial questions facing Australian culture.

Monte Verita, 2015, Acrylic, gouache on 54 canvas boards, 210 x 228 cm

Melancholy Landscape I, 2007, Acrylic, gouache on 72 canvasboards, 229 x 305 cm

Atelier lll, 2001, Synthetic polymer paint, gouache on 18 canvas boards, 150 x 106 cm

Nature Speaks: AF, 2007, Acrylic, gouache on 16 canvasboards, 101.6 x 142.2 cm

Snow Storm, Kosciuszko II, 2013, Acrylic, gouache on 32 canvas boards, 203 x 142cm

God Seen in the Mirror of the World, 2012, Acrylic, gouache on 25 canvas boards, 152.4 x 152.4 cm

Nature Speaks FU, 2017, synthetic polymer paint, gouache on 16 canvasboards, 101.6 x 142.2cm