CYRUS TANG | EXHIBITION at BUNDOORA HOMESTEAD
ECLIPSED PRESENCE
📅 30 Nov 2024 - 22 Feb 2025
📍Bundoora Homestead Arts Centre
_
Eclipsed Presence has evolved from a residency that the artist recently undertook in Morocco. During her time there, she was inspired by the Amazigh people and their unwavering commitment to handmade crafts. They continue to spin, dye wool and knit sweaters by hand, not merely as a nostalgic gesture, but as a living tradition that embodies their cultural identity and resilience. Their approach challenges us to reconsider the worth of the handmade in a world increasingly dominated by the digital and the disposable.
This new video installation explores these themes, bridging the gap between what has been lost and what can be reclaimed, illuminating the enduring relevance of traditional crafts in a contemporary context.
JANET LAURENCE - Exhibition Progress Sneak Peek
SNEAK PEEK
JANET LAURENCE is working towards an upcoming exhibition in Berlin at the Alfred Erhardt Foundation. Using Erhardts incredible images of corals she has been exploring how magnification reveals their extraordinary patterns.
Artbank Acquires MARINA ROLFE
We're thrilled to announce that Artbank has acquired Marina Rolfe's major painting ‘The Ceremony’ (2024).
This work was featured in Rolfe's exhibition Looking Back to See if They Still Look at Me, at ARC ONE Gallery earlier this year, which was the artist's first solo exhibition at a commercial gallery.
JULIE RRAP at MCA – Behind the exhibition 'Past Continuous'
Delve deeper into the making of Julie Rrap's major solo exhibition 'Past Continuous' with
this wonderful short video from the Museum of Contemporary Art Australia. In this clip, we go behind the scenes with Rrap as she discusses her recent performance piece Drawn In (2024), and reflects on its connection to Disclosures: A Photographic Construct from 1982.
Watch the full video here. Courtesy of the artist and the MCA Australia.
Julie Rrap: Past Continuous
📅 27 July 2024, 2–2.30pm
📍Museum of Contemporary Art, Sydney
@mca_australia #MCAAustralia #JulieRrap #PastContinuous
DANI MARTI features in Beyond Textiles exhibition at the RACV City Club
BEYOND TEXTILES
Dani Marti is featured in a new exhibition that celebrates textiles as material, subject and process. Marti's work in Beyond Textiles at the RACV City Club Gallery blurs the boundaries between sculpture and textiles.
Marti's work is included alongside Tia Ansell, Tim Gresham, Rubaba Haider, and Casey Jeffery.
Please note, access to the exhibition is by appointment only – please email art@racv.com.au to arrange a viewing.
BCN'97, 2023
polyester, polypropylene, leather, aluminium
185 x 125 x 7 cm
DANI MARTI to feature in Radical Textiles exhibition at AGSA
RADICAL TEXTILES
Dani Marti will be showing ’Troughman (yellow peril)' (2005) at Art Gallery of South Australia for the much anticipated Radical Textiles exhibition, opening this Saturday.
From William Morris to Sonia Delaunay, Radical Textiles celebrates the cutting-edge innovations, enduring traditions and bodies of shared knowledge that have been folded into fabric and cloth over the past 150 years.
RADICAL TEXTILES
📅 23 November 2024 – 30 March 2025
📍 Art Gallery of South Australia
SAM SHMITH Features on FORFREEDOM billboard in Atlanta, USA
river / uncomplicate the world
Sam Shmith's work '(river / uncomplicate the world)', was recently featured on For Freedoms' billboard project 'Where Do We Go From Here?' in Atlanta, USA.
Founded in 2016 by Hank Willis Thomas, Eric Gottesman, Wyatt Gallery, and Michelle Woo, For Freedoms is an artist-led organisation that uses art as a catalyst for creative civic engagement, discourse, and direct action.
This most recent of 'Where Do We Go From Here?' is an epic billboard campaign published ahead of the 2024 American presidential election, that seeks to model how art can urge communities into greater action and participation.
GUAN WEI awarded Creative Australia Award for Visual Arts 2024
Congratulations to Guan Wei, who has been presented the Creative Australia Award for Visual Arts 2024. A recognition of an incredible career, this major award acknowledges the achievements of an artist who has made an outstanding and sustained contribution to Australian art.
Guan Wei has been living and working between Beijing, China and Sydney Australia since 1989. Guan Wei is an iconic figure in the Australian contemporary art scene and critically acclaimed internationally. Through his art, he reflects upon the human condition as we engage with critical contemporary issues, such as climate change, questions of identity, migration and exile. Guan Wei has held over 80 solo exhibitions in Australia and internationally from the Museum of Contemporary Art Sydney to OCT Contemporary Art Terminal (OCAT) Shenzhen China and has been included in countless group exhibitions from South Korea to Cuba.
JANET LAURENCE Features in the Lyrebird Festival
LYREBIRD FESTIVAL
This weekend Janet Laurence has been a part of the Lyrebird Festival in Megalong Valley, NSW. In a rustic barn (last slide), Laurence has presented three video works: The Other Side of Nature (2014), Requiem (2021); and Vanishing (2009).
The Lyrebird Festival returns in 2024, celebrating the spectacular Megalong Valley with music, art, food and wine, talks and nature walks. The festival continues until Sunday, 17 November.
New publication featuring MARTI, ZAHALKA, LAURENCE, YOUNG
Celebrating the launch of Mordant Collection Highlights, a publication devoted to the collection of Simon and Catriona Mordant.
"We never set out to build a collection. What has driven us is a passion to be surrounded by creative people, whether in the visual or performing arts. We have only purchased a work when it evoked a reaction in us ... We have never bought a work for a particular wall or because someone told us the artist was important. We have loved this journey together."—Simon and Catriona Mordant
Featured in the highlights are these pieces by Dani Marti, Anne Zahalka, Janet Laurence and John Young.
JOHN YOUNG Artist Talk at TarraWarra Museum of Art
On Saturday, ‘Portrait of a Collection: TarraWarra Museum of Art’ was launched at TarraWarra Museum of Art.
In conversation with Victoria Lynn and Claire Roberts, JOHN YOUNG discussed Claire’s chapter ‘Visual Thinking: Ian Fairweather and John Young' which draws on the affinities between Fairweather and Young's artistic practices.
“For both men, art is a transcultural practice and part of a larger process of becoming.” - Professor Claire Roberts
You can purchase a copy of this important overview of TarraWarra Museum of Art’s collection of 20th- and 21st-century Australian art via the link below.
HONEY LONG & PRUE STENT - Upcoming Workshop @ Golburn Regional Gallery
⭐ Photograph the body with Honey Long and Prue Stent ⭐
Meet the artists at the Gallery and make your own surreal images.
With a live model on hand and a range of materials, participants will have the opportunity to capture their own images, experimenting with angles, light, objects, lenses and materials to create unique visual narratives.
Bring your own camera and get creative with these extraordinary artists.
Honey Long and Prue Stent are a collaborative duo who construct surreal scenes where the body serves as both raw material and haunting apparition. Dreamy, fluid and fleshy, their distinctive and highly sensual practice has garnered worldwide recognition, spanning the realms of photography, performance, installation, and sculpture.
When: 11:30 - 2:30pm Saturday 2 November
Who: Adults and teens 16+
Where: Goulburn Regional Art Gallery
Cost: $45.00 + booking fee
Book here >
JULIE RRAP: Past Continuous @ MCA
"At the beginning, my work was critiqued through self-conscious feminism. Now, I don’t know how it will be received. And when I have used a body it’s been my own, but you don’t find out much about me in that personal sense. You just see a body moving through time. I also think that this show is as much about time as it is about a body. I show a body through time."
Head to Art Guide to read a fantastic interview with Julie Rrap by Lauren Carroll Harris. In a conversation Rrap discusses her current survey ‘Past Continuous’ at the MCA, which exhibits ‘Disclosures’ with newer works that consider the cultural invisibility of the ageing female body.
.
Read the full interview here >
Julie Rrap: Past Continuous
📅 28 June 2024 – 16 February 2025
📍Museum of Contemporary Art, Sydney
IMANTS TILLERS Artist Talk @ Bundanon Trust
ARTIST TALK SUNDAY
In NSW this weekend, Imants Tillers is giving an artist talk at Bundanon.
Tillers will be in conversation with Sophie O’Brien (Head of Curatorial & Learning, Bundanon), exploring the cultural landscape for young Australian artists in the 1980s, both here and internationally.
In 1984, Tillers was one of three young artists in the exhibition An Australian Accent, presented at MoMA PS1, New York. Also including the work of Mike Parr and Ken Unsworth, the exhibition was one of several to articulate new Australian art to an international audience.
Tillers’ incredible painting ‘Pataphysical man’ (1984), from the collection of the AGNSW, is currently on display at Bundanon Art Museum as part of the group exhibition ‘Wilder Times: Arthur Boyd and the mid-1980s landscape’.
Tickets available here >
Imants Tillers: In Conversation
📅 Sunday, 6 October, 11am-12pm
📍 Bundanon, 170 Riversdale Road, Illaroo
PAT BRASSINGTON Photo Essay in VAULT Magazine
Vault explores Pat Brassington's gutsy work in this photo essay.
"Mundane activities take on unsettling overtones and domestic environs are rendered strangely ominous as disembodied protagonists engage in sometimes confronting or irrational scenarios."
Grab issue 47 here >
CHARLES GREEN New publication 'When Modern Became Contemporary Art'
Congratulations to Charles Green and his co-author Heather Barker, who have published a new book with Routledge on the history of Australian art from 1962 to 1988.
This book is a portrait of the period when modern art became contemporary art. It explores how and why writers and artists in Australia argued over the idea of a distinctively Australian modern and then postmodern art. The book reflects on why the embrace of Aboriginal art was so late in art museums and in histories of Australian art, arguing that this was because it was not part of a national story dominated by colonial, then neo-colonial dependency.
"When Modern Became Contemporary Art begins with the excellent point that the study of art history has lagged behind artistic practice in contemplating Indigenous art. The book corrects that in the most welcoming way, by bringing hundreds—perhaps thousands—of points of reference, from anthropology, art history, journalism, curating, and the art market, into productive dialogue.”
– Professor James Elkins, E.C. Chadbourne Chair of Art History, Theory, and Criticism, School of the Art Institute of Chicago
HONEY LONG & PRUE STENT feature in exhibition at Goulburn Regional Gallery
Honey Long & Prue Stent currently feature in the exhibition ‘Echoes’ at Goulburn Regional Gallery.
Echoes explores reverberations in the human experience. The exhibition brings together works by eight Australian artists who examine the idea of echoes in diverse ways. It presents works that uncover past lives, alter egos and feedback loops. The works unpack personal, social and cultural histories and considers the distortion and loss of memory over time. The works utilise repetition, surrealism, and abstraction to communicate the unstable and subjective way that we recall lived experiences and histories.
ECHOES
📅 23 Aug - 9 Nov 2024
📍Goulburn Regional Gallery, NSW
Honey Long & Prue Stent, Scallop, 2017.
HONEY LONG & PRUE STENT feature in exhibition at Fotografiska Tallinn
HONEY LONG & PRUE STENT feature in the exhibition ‘NUDE’ opening at Fotografiska Tallinn on September 13.
Autumn at Fotografiska begins with a powerful start – on September 13th, the exhibition 'NUDE' opens its doors, showcasing the work of 32 female artists exploring the theme of the nude body. Among them are Estonian artistst Cloe Jancis and Marlen Kärema. Through various creative approaches, the exhibition breaks away from traditional depictions of the nude body, presenting it in all its shameless honesty and glory, with contemporary freshness and freedom from constraints, all seen through the female gaze. The result is an environment where expected roles no longer apply, habitual perspectives shift, and power hierarchies are overturned.
The exhibition continues until January 2025.
More information >
Honey Long & Prue Stent, Wind Form, Phanta Firma, 2018.
JULIE RRAP to be interviewed on ABC Radio Sydney
TUNE IN
Turn on ABC Radio Sydney to hear Julie Rrap being interviewed by Sarah Macdonald on Sydney Mornings.
Rrap will be live at 10.30am (Monday, 2 September 2024), to discuss her 40 years of arts practice, as her exhibition Past Continuous continues at MCA.
🔊🔊
GUAN WEI shortlisted in Calleen Art Award
CALLEEN ART AWARD 2024
Congratulations to Guan Wei, who has been selected as a finalist in the Calleen Art Award 2024! Hosted by the Cowra Regional Art Gallery, the annual Calleen Art Award was established in 1977 as an acquisitive art prize by Mrs Patricia Fagan OAM, to encourage originality, creativity and excellence in the visual arts.
Guan Wei's entry 'Fluidity of Time and Space No. 2' (2023) depicts an an impossible courtyard. As we step inside its walls, the inhabitants, seemingly engaged in mysterious courtship rituals, stop dead in their tracks.
The winner will be announced at the exhibition opening on Friday 27 September 2024, to be judged by Mr Richard Perram OAM, Curator and former director Bathurst Regional Art Gallery.
CALLEEN ART AWARD 2024.
📅 27 September to 17 November 2024
📍Cowra Regional Art Gallery
GUAN WEI
Fluidity of Time and Space No. 2, 2023
Acrylic on canvas (diptych)
98 x 87 cm