GUAN WEI

Guan Wei, Feng Shui (detail), 2004, acylic on composite board, Museum of Contemporary Art, donated through the Australian Government's Cultural Gifts Program by Cromwell Diversified Property Trust, 2017

Guan Wei, Feng Shui (detail), 2004, acylic on composite board, Museum of Contemporary Art, donated through the Australian Government's Cultural Gifts Program by Cromwell Diversified Property Trust, 2017

The Museum of Contemporary Art, Sydney has announced its 2019 exhibition program, with a major installation by GUAN WEI.

In October 2019, the Museum of Contemporary Art will present 'Feng Shui', an immense 18-metre-long multi-panelled painting by Guan Wei. 'Feng Shui' will be presented alongside two of Guan Wei’s key 1989-90 series of works on paper, from the Collection.

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JANET LAURENCE

Portrait of Janet Laurence

Portrait of Janet Laurence

The Museum of Contemporary Art Australia has announced its 2019 exhibition program, with a major solo exhibition by Janet Laurence.

In March, Janet Laurence, one of Australia’s key creative minds, will present After Nature, a major mid-career survey exhibition examining the critical issues facing the environment and the natural world. The exhibition will feature work from throughout her oeuvre, as well as a selection of new works.

For many years, my work has explored the poetics of space and materiality through the creation of site-specific works that deal with our experiential and cultural relationship with the natural world.  – Janet Laurence, 2018

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PETER DAVERINGTON

PETER DAVERINGTON’s major commission The Raft of the Clan will be launched 22 October at The Great Hall, Parliament House, Canberra, and officially launched by former Prime Minister Julia Gilliard AC.

Commissioned by CLAN, Care Leavers Australasia Network,the artwork celebrates the remarkable triumph of Care Leavers who endured cruel and abusive childhood in Australia’s Orphanages, Children’s Homes, Missions & Foster Care that were run by State Governments, Churches and Charities.

Peter Daverington, Raft of the Clan, oil and enamel on canvas, 260 x 397cm.

Peter Daverington, Raft of the Clan, oil and enamel on canvas, 260 x 397cm.

ANNE ZAHALKA

Anne Zahalka, portrait by Nick Cubbin.

Anne Zahalka, portrait by Nick Cubbin.

ANNE ZAHALKA's online project Nobody Loves You More Than Me: Finding Margarete has been reviewed by Art Guide. Zahalka's project is an interactive text based documentary, produced by SBS Australia, which explores the story of Anne Zahalka's grandmother, Margarete Back, who disappeared during World War Two.

As next year marks the 80th anniversary of the start of WWII, this text based documentary offers a unique perspective on those who lived and those who lost loved ones during Hitler’s reign. Zahalka’s

Nobody Loves You More Than Me: Finding Margarete can be found online at SBS at this link.
Read Art Guide’s review here.

JANET LAURENCE

JANET LAURENCE's wondrous The Elixir Lab is installed at the Inhotim Institute, Brazil as part of Between Subjects and Collectiveness. This major performative installation encourages viewers to taste a range of plant-infused elixirs, offering knowledge of medicinal plants and an intimacy with the natural environment.

The 4th International Education Seminar in Brumadinho, Minas Gerais, Brazil is focused on transformations subjects go through and their relationship with the environment in which they live. With guests from Brazil, Argentina, Austria, Chile, Colombia, India and Russia, the seminar proposes a reflection on the separation between the social and environmental dimension in contemporary life.

Janet Laurence, Installation View, The Elixir Lab, Inhotim Institute, Brazil, 2018

Janet Laurence, Installation View, The Elixir Lab, Inhotim Institute, Brazil, 2018

MARIA FERNANDA CARDOSO

Maria Fernanda Cardoso, Male peacock spider, whole body, Maratus speciosus, pigment print, 2018, 152 x 152 cm.

Maria Fernanda Cardoso, Male peacock spider, whole body, Maratus speciosus, pigment print, 2018, 152 x 152 cm.

See eight different kinds of Maratus spiders singing and dancing at the world premier of MARIA FERNANDA CARDOSO's On the Origins of Art III–VIII. The screening will be at Bundanon Homestead from 6.30 –9.30 pm Saturday September 29 as part of MICRO: Little things mean a lot.

The Bundanon’s annual spring event brings scientists, artists and community voices together to share knowledge and ideas arising from the Bundanon sites through discussions, presentations and experiences. For more information, click here.

IMANTS TILLERS

Terry Smith’s lecture on contemporary painters focusing on IMANTS TILLERS is now online. The lecture at the Latvian National Museum of Art is part of Journey to Nowhere, a major solo exhibition of TILLERS works.

You can watch the full lecture here:

PAT BRASSINGTON

PAT BRASSINGTON's work A's Joy has been featured on the cover of the book, 'The Mummy’s Foot and the Big Toe: Feet and Imaginative Promise'. In this book Alan Krell addresses the absurd, the abject, the banal and the romantic, as he describes the appearance of the foot in literature, photography, art and film.

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Pat Brassington, A's Joy, 2005, pigment print, 84 x 62cm.

Pat Brassington, A's Joy, 2005, pigment print, 84 x 62cm.

JANET LAURENCE

Janet Laurence, What Colour is the Sacred? (Black) (detail), 2018, plywood, acrylic, mirror, details of Karel Dujardin ‘Self-portrait’ 1662 printed on archival cotton rag, Oil glaze on acrylic, Carbon, bone, charcoal, ink, pigment, scientific glass,…

Janet Laurence, What Colour is the Sacred? (Black) (detail), 2018, plywood, acrylic, mirror, details of Karel Dujardin ‘Self-portrait’ 1662 printed on archival cotton rag, Oil glaze on acrylic, Carbon, bone, charcoal, ink, pigment, scientific glass, Barite, Goethite, Hematite, 45 x 60 x 45cm.

JANET LAURENCE has been invited to speak at 'Between Subjects and Collectiveness' at INHOTIM Institute, Brazil on 13 September 2018. The 4th International Education Seminar at Inhotim is focused on transformations subjects go through and their relationship with the environment in which they live. With guests from Brazil, Argentina, Austria, Chile, Colombia, India and Russia, the seminar proposes a reflection on the separation between the social and environmental dimension in contemporary life.

Panel Discussion 13 September | How can art question subject –environment relations?

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JOHN YOUNG, HONEY LONG & PRUE STENT

‘Oceans from here’ at the Australian Centre for Photography in Sydney is currently on view. Featuring the work of JOHN YOUNG and HONEY LONG & PRUE STENT, the exhibition explores the aesthetics of water, and its ebb and flow as a global life force. John Young says of his work (above): "Nature is not only fragile, majestic and sublime in the old Kantian sense - but, as Virilio would have it, the ocean may well be frightful and monstrous in its answering back to the anthropocentric progressiveness of modernity’s folly".

The exhibition continues until 20 October.

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John Young, Ancient Water I, 2018, Glicee print on archival Museo Silver Rag Paper, 73 x 126.5cm.

John Young, Ancient Water I, 2018, Glicee print on archival Museo Silver Rag Paper, 73 x 126.5cm.

CYRUS TANG

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CYRUS TANG has been profiled in NAVA's The Artist Files. 

In her video interview with NAVA, Tang chats about becoming an artist, developing her career and exploring her identity through her practice.

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ROBERT OWEN

Robert Owen, Double Seed #2, 2016-2018, from the 'Text of Light' series, Synthetic polymer paint on linen, 122 x 122cm.

Robert Owen, Double Seed #2, 2016-2018, from the 'Text of Light' series, Synthetic polymer paint on linen, 122 x 122cm.

ARC ONE Gallery is delighted to present, Afterglow, the latest body of paintings by leading Australian artist, ROBERT OWEN. These visually-arresting works continue the artist’s exploration of the perceptual and emotional effects of light, colour, and space.

Guided by curiosity and wonder, Robert Owen’s knowledge of colour is profound. In colour he nds harmony and melody, using chromatic combinations to achieve sensations that pulsate from the walls like sound waves or musical nuances. Afterglow at ARC ONE Gallery stems from one of Owen’s diary drawings executed while living on the Greek island of Hydra in the early 1960s. On the island, Owen witnessed an eclipse of the sun: an experience that has informed the artist’s enduring interest in the transcendent capacity of space, light, and colour.

Owen’s formative research and experiences of Constructivism and De Stijl are apparent in Afterglow where succinct geometric forms, vertical stripes, and squares of strong colour evoke the physical and metaphysical. Owen’s diary drawing from 1964, vibrant with its rework composition, perfectly encapsulates a synthetic moment and the relationship between time and progress. Describing the image, Owen draws on the paradox articulated by French philosopher Gaston Bachelard in his book, Intuition of the Instant, which posits life as an enduring string of moments that are in nite. It is this ash of illumination, combined with his poetic experiences on Hydra, from which Owen’s continued interest in the perceptual and emotional effects of space, light, and colour has materialised.

Robert Owen is an internationally recognised and award-winning artist with a sustained practice of more than ve decades. Working in painting, sculpture, installation, and photography, he has received widespread acclaim for his work, including major public commissions such as such as Webb Bridge, Docklands (in collaboration with Denton Corker Marshall), and the Craigieburn Bypass, Melbourne (in collaboration with Architects Taylor Cullity Lethlean and Tonkin Zulaikha Greer). He represented Australia at the 38th Venice Biennale in 1978, and in 2003 he received the Australia Council Visual Arts/ Crafts Emeritus Award for a lifelong service to the visual arts. He is represented in public and private collections throughout Australia and internationally.

CYRUS TANG

Cyrus Tang, Golden Hour – 16.43.12.2001, 2018, archival pigment print, 120 x 70cm.

Cyrus Tang, Golden Hour – 16.43.12.2001, 2018, archival pigment print, 120 x 70cm.

CYRUS TANG is included in the exhibition This Wild Song at Town Hall Gallery, Hawthorn Arts Centre. 
The exhibition celebrates strong female leaders in the arts community and their creative vision.

The opening is 1 September, 2 - 4pm and continues until 21 October.

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EUGENIA RASKOPOULOS

Eugenia Raskopoulos, Diglossia  #4, 2009, pure pigment print on archival paper, 140 x 93.5 cm. 

Eugenia Raskopoulos, Diglossia  #4, 2009, pure pigment print on archival paper, 140 x 93.5 cm. 

Congratulations to EUGENIA RASKOPOULOS! Announced as one of the artists selected for The National: New Australian Art 2019 at Carriageworks. 

The exhibition presents the latest ideas and forms in contemporary Australian art, curated across three of Sydney's premier cultural institutions: the Art Gallery of NSW, Carriageworks and the Museum of Contemporary Art Australia. 
 

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IMANTS TILLERS

IMANTS TILLERS is included in the exhibition '20/20 Celebrating twenty years with twenty new portrait commissions' at the National Portrait Gallery, Canberra. '20/20' showcases the dynamic suite of new portraits commissioned to celebrate the National Portrait Gallery’s 20th year. 


Imants Tillers has painted a portrait of one of Australia’s most prolific playwrights Louis Nowra. 


The exhibition opens 20 October and continues until 10 February 2019.

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Imants Tillers, 'Study of Louis Nowra', 2018, synthetic polymer paint and gouache on 64 canvas boards. Commissioned 2018.

Imants Tillers, 'Study of Louis Nowra', 2018, synthetic polymer paint and gouache on 64 canvas boards. Commissioned 2018.

ROBERT OWEN, JULIE RRAP & ANNE ZAHALKA

Robert Owen, 'Feeling Form (Blind Carving)', 1958, plaster of paris, 7.5 x 18 x 9.5cm.

Robert Owen, 'Feeling Form (Blind Carving)', 1958, plaster of paris, 7.5 x 18 x 9.5cm.

ROBERT OWEN, JULIE RRAP and ANNE ZAHALKA are included in the exhibition 'National Art: Part One' at the National Art School Gallery'.

A review of the exhibition, with a photograph of Anne Zahalka standing in front of her work 'Outlawed!' was published in the Sydney Morning Herald yesterday.

Pictured is one of Robert Owen's blind carving sculptures he did at the National Art School from 1958.

The exhibition continues until October 27.

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GUAN WEI

GUAN WEI is included in Painting with Thread, an exhibition of recent tapestries and samples from the collection of the Australian Tapestry Workshop, Melbourne (ATW). 

Painting with Thread will offer Sydney viewers a glimpse into the behind-the-scenes process of tapestry creation by ATW weavers from design, sampling, to weaving and completion. The selection of tapestries and samples on display emphasise the experimental and innovative approaches to contemporary tapestry design, as well as the diversity of recent projects and collaborations at ATW. 

Reviewed in Art Guide, the exhibition continues until 26 September. 

Read the Review >

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Portrait of Guan Wei at The Australian Tapestry Workshop

Portrait of Guan Wei at The Australian Tapestry Workshop

JULIE RRAP, CYRUS TANG & ANNE ZAHALKA

Julie Rrap, Breath Stream, 2018, pigment ink-jet print, hand-ground glass, 66.0 x 116.0 cm

Julie Rrap, Breath Stream, 2018, pigment ink-jet print, hand-ground glass, 66.0 x 116.0 cm

Cyrus Tang, A Simple Life (118 minutes), 2018, archival pigment print, 65 x 65cm. 

Cyrus Tang, A Simple Life (118 minutes), 2018, archival pigment print, 65 x 65cm. 

Anne Zahalka, Krazy Kashmiris in Stagland,  2018, pigment ink-jet print on canvas, 100 x 136 cm

Anne Zahalka, Krazy Kashmiris in Stagland,  2018, pigment ink-jet print on canvas, 100 x 136 cm

Congratulations to JULIE RRAP, CYRUS TANG and ANNE ZAHALKA, who have been shortlisted for the prestigious 2018 Bowness Photography Prize.

The judging panel, Dr Michael Brand, Director of AGNSW, artist Dr David Rosetzky and Anouska Phizacklea, Director of MGA, made the selection from an incredibly strong field of entrants that reflected the diversity and depth of photographic practice in Australia. 

The winner will be announced 11 October.

The exhibition is open from 29 September – 18 November 2018.

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HONEY LONG & PRUE STENT

HONEY LONG & PRUE STENT are featured in The Herald Sun today, as part of an article titled, 'Rising stars'.

Stent is quoted: "We just evolved from hanging out and making things, playing, and it slowly evolved into an art practice." Long adds, "It's really nice making art in a way where it's just as much about the relationship as it is the end product."

 

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MARIA FERNANDA CARDOSO

Maria Fernanda Cardoso, Naked Flora #6: One Wife, five husbands, digital print, acrylic face, 45 x 30cm.

Maria Fernanda Cardoso, Naked Flora #6: One Wife, five husbands, digital print, acrylic face, 45 x 30cm.

MARIA FERNANDA CARDOSO is included in the exhibition Human Non Human at the Powerhouse Museum.

Human Non Human asks the questions: What makes us human? How might humans adapt in the future?  The immersive installations combine architecture, design, biotechnology, botany, chemistry, film and performance, offering space in which to consider the past, present and possible futures of human and non-human relationships.

The exhibition opens 7 August 2018 and continues until 27 January 2019.

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