Anne Zahalka, Newtown, where you can be yourself, 2009, Type C print, 119 x 84cm.
ANNE ZAHALKA is the first artist to exhibit at the contemporary public art space, Newtown ArtSeat, for 2016. The photographic work, from her Homeground! series, is based on original pub paintings from the 1930s that idealised Australian sport and leisure.
Zahalka’s installation continues through to 31 March 2016.
Dani Marti, Black Sun, installation view, 2016.
DANI MARTI's solo exhibition at the Fremantle Arts Centre is an opportunity to see the work of one of Australia’s most challenging and exciting contemporary artists. The exhibition continues through to 28 March 2016.
You can read a fantastic review of Black Sun from the Sydney Morning Herald here.
Artist Profile also wrote about the exhibition here.
See also Leigh Hill's interview with MARTI for OUTinPerth here.
JANET LAURENCE is featured in Sanctuary, now showing at the Glen Eira City Council Gallery from 4 March - 10 April 2016. Curated by Diane Soumilas, this exhibition addresses the notion of the garden as a sanctuary or site for reflection, contemplation and healing in contemporary culture.
Janet Laurence, What Could a Garden Be (video still), 2015, Camera Sophie Austergren, editing LIndi Harrison, 7'36"
Guo Jian, Picturesque Scenery 26, 2011-12, inkjet pigment print, 320 x 500 cm (10 panels, each 160 x 96 cm).
GUO JIAN's work in included in a curated group show titled Heavy Artillery at White Rabbit Gallery from 9 March to 7 August 2016. The exhibition explores acts of defiance in the context of the past three decades of explosive social change in China.
Here is an interview with GUO JIAN regarding his work, Picturesque Scenery 26, to be featured in the exhibition.
Congratulations to JOHN YOUNG on the acquisition of his work, Moment III, into the collection of the UQ Art Museum.
To find out more about this work visit the website here.
John Young, Moment III, oil on Belgian linen, 76.2 x 103.4cm.
Dani Marti, Shield - Study for a Portrait - Take 1 (detail), 2015, stainless steel braided hose, polyester, nylon, rubber, and leather on aluminium frame, 180 x 140 x 30cm.
Laetitia Wilson has written a powerful review on the seductively enchanting work of artist DANI MARTI currently showing in Western Australia for the Perth International Arts Festival.
You can read the full article from The West Australian, here.
CYRUS TANG's current exhibition, Lacrimae Rerum, at ARC ONE has been reviewed by Dylan Rainforth for Art Guide Australia.
To read the review, click here.
Cyrus Tang, Children's Encyclopaedia Vol. 2, 2016, cremated book ashes, book cover and acrylic case, 29 x 21 x 21cm.
Artist JANET LAURENCE discusses her work for the H20: Water Bar with Art & About.
Watch the video here.
Dani Marti, Time, 2013, galvanised and stainless steel scourers on aluminium frame (install shot). Photo: Rhianna May.
"A reef created from the discarded tools of countless, nameless cleaning women. I don't remember the last time I felt so splayed between awe and irony."
Ruth Little has penned a beautiful review of DANI MARTI's exhibition Black Sun as part of the Perth International Arts Festival. The exhibition runs until Monday 28 March 2016.
Read the review here.
JOHN YOUNG's exhibition Modernity's End - Half the Sky, Two Australians in China narrates the remarkable histories of two Australians in China between 1920 and 1960.
This Willoughby Council curated exhibition includes invited artists CYRUS TANG and Pei Pei He and is part of Art Month Sydney and Spectrum Now.
The exhibition continues from 2 March - 3 April 2016 at Incinerator Art Space.
Janet Laurence (in collaboration with Tonkin Zulaikha Greer Architects), Australian War Memorial, London.
Museum of Contemporary Art Director, Elizabeth Ann Macgregor, discusses JANET LAURENCE's remarkable art career and extensive work in the public sphere on ABC Sydney's 'Self Improvement Wednesday' on 17 February 2016. You can listen in here.
Steve Dow, from Art Guide, review's JANET LAURENCE's environmentally-focused immersive art installation H20 Water Bar.
Read the review here.
Janet Laurence, H20 Water Bar (installation view), 2016. Photo credit: Nikki To.
Photo credit: Tanja Bruckner, 2016.
PHAPTAWAN SUWANNAKUDT chats to National Association for the Visual Arts about living between two cultures and how she responds to, and connects to this in her work. You can watch the video here.
In the following video, GUAN WEI discusses his four-panelled painting Plastic Surgery (2015). This work was the artist's finalist piece for the National Self-Portrait Prize.
The accompanying exhibition to the prize is currently on show, at UQ Art Museum, and will continue to 13 March 2016.
Janet Laurence at her studio in Chippendale. Image credit: Justin Lloyd
JANET LAURENCE has created an apothecary or laboratory-style installation for Sydney's H2O: Water Bar. This installation reflects on - and asks us to reflect on - our relationship with water.
H2O: Water Bar will be open from Saturday 13 February 2016 through to the end of the month in Paddington's Reservoir Gardens.
Perth International Arts Festival interviewed DANI MARTI about his solo show, Black Sun, showing at Fremantle Arts Centre, you can view the video here.
Given the personal nature of Marti's works, the conversation reveals some of the fascinating insights into the people that inspire him and his practice.
The exhibition continues from Sunday 7 February to Monday 28 March 2016.
LYNDELL BROWN & CHARLES GREEN and Jon Cattapan’s Scatter (Dusk, Santa Cruz), 2014 has been acquired by The Collection of The University of Queensland.
Samantha Littley, Acting Senior Curator at UQ Art Museum, had to say this about the work:
The painting exemplifies the strength of Brown/Green and Cattapan’s collaborative partnership, and the confidence each of them has in their own work. It takes self assurance to allow others to access your creative processes. The artists’ rapport is evident in the unity of their composition. This coherency has a basis in their shared experiences. Although their terms as Official War Artists were not concurrent, these commissions have clearly given them a mutual sense of purpose.
Lyndell Brown/Charles Green and Jon Cattapan, Scatter (Dusk, Santa Cruz), 2014, oil and synthetic polymer paint on linen, 152.5 x 243.5 cm
This coming month PHAPTAWAN SUWANNAKUDT will be included in two prominent group exhibitions in Sydney.
In the still of an ordinary day is showing at Janet Clayton Gallery, this exhibition will run from 27 January - 20 February 2016.
Twenty Twenty opens 6 February to 20 February at the Old Rum Store, Chippendale. Curated by Chippendale Creative Precinct and Claudia Chan Shaw the exhibition features twenty world-renowned Asian artists displaying works that embody moments of clarity inspired by the precision of 20:20 vision.
Phaptawan Suwannakudt, Bhava 4, 2011, acrylic on canvas, 120 x 95cm.
Here is an interview with IMANTS TILLERS and the Australian Tapestry Workshop.
The artist discusses his artistic practice and how it informed the design for his project with the Australian Tapestry Workshop. His work, titled Avenue of Remembrance, is a commemorative response to the First World War centenary and is available for public viewing at the Australian War Memorial.
Imants Tillers, Avenue of Remembrance, commemorative tapestry commission work in progress. Photo by Jeremy Wehrauch.
Installation view of Inside the Dome (DYE 2) by Murray Fredericks and Tom Schutzinger, at Geelong Art Gallery. Photo: Andrew Curtis.
Robert Nelson has reviewed MURRAY FREDERICKS and Tom Schutzinger's exhibition Inside the Dome (DYE 2) in The Age. To read the full review, click here.
The show continues 7 February 2016 at Geelong Art Gallery.