ANNE ZAHALKA / LYDIA WEGNER

Congratulations to ANNE ZAHALKA and LYDIA WEGNER, both finalists in the 2016 Josephine Ulrick & Win Schubert Photography Award. The JUWS Photography Award is considered one of the most important annual surveys of contemporary Australian photographic practice.

The winner will be announced during the exhibition launch, Saturday 25 June 2016.

The exhibition of finalist's work continues through to 21 August 2016, at the Gold Coast City Art Gallery, The Arts Centre Gold Coast.

 

Image: Anne Zahalka, Threshold (tablet, security camera), 2015, Archival pigment ink on rag paper, 102 x 137cm.

Image: Anne Zahalka, Threshold (tablet, security camera), 2015, Archival pigment ink on rag paper, 102 x 137cm.

JULIE RRAP

Julie Rrap, Escape Artist: Castaway, 2009, digital video.  

Julie Rrap, Escape Artist: Castaway, 2009, digital video.  

JULIE RRAP is exhibiting in the group exhibition, Light Moves: Contemporary Australian Video Art, at RMIT Gallery. 

Light Moves presents projected and screen-based works exploring the body and the possibilities of movement. The exhibition is presented jointly with the National Gallery of Australia. 

The exhibition runs from 1 July - 20 August 2016. 

ROBERT OWEN

ROBERT OWEN and ARC ONE Gallery will be part of FLAIR Melbourne. Presented by ARC ONE Gallery, Craft, fortyfivedownstairs, Arts Project Australia, Collins Place Pop-up (supported by NKN), Sofitel Melbourne on Collins and Global Art Projects, FLAIR Melbourne is an art event showcasing a series of curated exhibitions, talks and experiences at the top end of Flinders Lane.

FLAIR will run from 18 - 21 August 2016. 

More information >

 

JACKY REDGATE

LIGHT THROW (MIRRORS) FOLD
EXHIBITION OPENING & BOOK LAUNCH  |  TUESDAY 21 JUNE, 6-8PM

Jacky Redgate, Light Throw (Mirrors) Fold b, 2013-14, chromogenic photograph, 126 x 158 cm.

Jacky Redgate, Light Throw (Mirrors) Fold b, 2013-14, chromogenic photograph, 126 x 158 cm.

ARC ONE Gallery is delighted to present a new exhibition by one of Australia’s most significant contemporary artists, Jacky Redgate. Light Throw (Mirrors) Fold will open on Tuesday 21 June, 6-8pm, with the Melbourne Launch of the Power Publications monograph, Jacky Redgate: Mirrors. The book will be formally launched by Dr Edward Colless, Head of Critical and Theoretical Studies, Victorian College of the Arts, Melbourne.

Jacky Redgate’s Light Throw (Mirrors) Fold / Unfold is the latest instalment in her mirror-works project. It follows hard on the heels of her Mirrors exhibition at the University Art Gallery at the University of Sydney last year. Redgate’s studio still-life photography experiments continue her long-standing interests in window display and product lighting, reflections and optical illusions. In the early Light Throw (Mirrors) Fold photographs, she explores the optical interplay of mirrors and everyday objects (striped plates, rulers, dominoes) attached to a folding screen.

In Unfold (2016), Redgate attempts to escape the visual vortex of her screen and mirrors, by displaying a doll, coasters, spoons, and a child’s sewing machine on pink velvet in the fold of her screen. It has been 36 years since Redgate last played with dolls in her work. Is she giving the subject of her recent photograph Miss Pears’ Contest Photographs 1959 — herself at age 3 — toys to play with, or is something else afoot? This new work connects Redgate’s well-known interest in the mirror photographs of Florence Henri with her little-known interest in American photographer Dare Wright, author of the 1957 children’s book The Lonely Doll.

With a practice extending over 35 years, Jacky Redgate has established herself as an artist at the forefront of contemporary Australian art. Working across photographic and object-based practices, Redgate has exhibited extensively within Australia and internationally since the end of the 1970s. Selected solo exhibitions include: Jacky Redgate: Mirrors, University Art Gallery, the University of Sydney (2015); Jacky Redgate: the Logic of Vision, Art Gallery of New South Wales, Sydney (2012); Visions From Her Bed, Institute of Modern Art, Brisbane (2008); Jacky Redgate: Life of the System 1980–2005, Museum of Contemporary Art Australia, Sydney (2005–06); and Jacky Redgate: Survey 1980–2003, Contemporary Art Centre of South Australia, Adelaide (2004). She is a recipient of the 1st prize, Bowness Photography Prize, Monash Gallery of Art, Melbourne (2011). Her work is included in major national collections and survey exhibitions including two Australian Perspecta exhibitions, three Biennales of Sydney, the Clemenger Art Award at the National Gallery of Victoria (2006), and the Heide Museum of Modern Art’s Cubism & Australian Art (2009). Jacky Redgate is a Senior Lecturer in the School of Arts, English and Media, University of Wollongong, Australia.

This project has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.
 

JACKY REDGATE: MIRRORS

This 2016 publication is an important new monograph with texts by Robert Leonard and Ann Stephen, which focuses on Redgate’s eminent work with mirrors in recent decades and will be available for purchase on the night. Jacky Redgate: Mirrors is co-published by Power Publications with the University Art Gallery, The University of Sydney, in partnership with the University of Wollongong.

Jacky Redgate: Mirrors was generously funded by the University of Wollongong, Vice Chancellor Challenge Grant and Faculty funding. 

DANI MARTI / EUGENIA RASKOPOULOS

Dani Marti, POINTLESS (arrangement in Gold), 2016, corner cube reflectors and natural crystal beads on aluminium frame, 90 x 90 x 25 cm.

Dani Marti, POINTLESS (arrangement in Gold), 2016, corner cube reflectors and natural crystal beads on aluminium frame, 90 x 90 x 25 cm.

DANI MARTI & EUGENIA RASKOPOULOS are included in the exhibition Incandescence at the Grace Cossington Smith Gallery. The exhibition explores the materiality of light and how artists use it to reflect on contemporary global culture. The exhibition will run from 1 June to 9 July 2016.

For more information, please click here.  

LYNDELL BROWN / CHARLES GREEN

Congratulations to LYNDELL BROWN and CHARLES GREEN, whose double self-portrait An end to suffering (2009) has recently been acquired by UQ Art Museum in Brisbane. 

According to UQ Art Museum's Curator, Samantha Littley, “Brown/Green create a window into their universe and bring focus and empathy to issues affecting us globally. The insights they have gained into world conflicts through their travels, and their roles as official war artists, find expression in the objects and images they have woven into this complex and personal painting.”

More Information >
 

Lyndell Brown/Charles Green, An end to suffering, 2009, oil on linen, 170 x 170 cm, Collection of The University of Queensland, purchased 2016.

Lyndell Brown/Charles Green, An end to suffering, 2009, oil on linen, 170 x 170 cm, Collection of The University of Queensland, purchased 2016.

CYRUS TANG

Cyrus Tang, Encyclopaedia Vol. 2, 2016, cremated book ashes and book cover, 29 x 21 x 21 cm

Cyrus Tang, Encyclopaedia Vol. 2, 2016, cremated book ashes and book cover, 29 x 21 x 21 cm

CYRUS TANG is part of the exhibition There are tears at the heart of things, curated by David O'Halloran and Ashleigh Simpson at the Walker Street Gallery & Arts Centre in Dandenong. The exhibition will be open from 2 June to 25 June.

PAT BRASSINGTON

PAT BRASSINGTON's work will be seen in Tempest, an exhibition by the internationally acclamied curator Juliana Engberg for DARK MOFO (Hobart). The exhibition is inspired by Shakespeare's great romance of the same name and will take place at the Tasmanian Museum and Art Gallery from 10 June to 21 June.

Pat Brassington, Untitled, 1989, silver gelatin print, triptych: 144 x 94 cm (each image size).

Pat Brassington, Untitled, 1989, silver gelatin print, triptych: 144 x 94 cm (each image size).

ROBERT OWEN

ROBERT OWEN is exhibiting in the group show Ann Thomson & Contemporaries at the National Art School. The exhibition presents a selection of works by the artists and teachers who shared the exhilarating times at the National Art School (formerly East Sydney Technical College) in the late 1950s and early 1960s, which included ROBERT OWEN. 

The exhibition runs from 27 May - 23 July 2016. 

For more information, visit this site.

Wall painting: Robert Owen, First Light #2, 1990-2016, acrylic on wall, 336 x 609cm overall. Foreground: Ned Kelly, 1962, welded steel, 142 x 49 x 16cm.Photo: Peter Morgan

Wall painting: Robert Owen, First Light #2, 1990-2016, acrylic on wall, 336 x 609cm overall. Foreground: Ned Kelly, 1962, welded steel, 142 x 49 x 16cm.

Photo: Peter Morgan

DANI MARTI

Dani Marti, Llorona (arrangement in grey and black) (video still), 2007 video 4:3, 16 minutes 50 seconds. 

Dani Marti, Llorona (arrangement in grey and black) (video still), 2007 video 4:3, 16 minutes 50 seconds. 

The work of DANI MARTI will be featured in an upcoming group show at KinoKino in the Sandnes Kulturhus, Norway.

Immerse, curated by Roberto Ekholm (Museum of Contemporary Art, London), presents a group of artists exploring or using film as a medium.  The international artists lift ones attention toward cinema's inherent power and its hypnotic medium. 

The exhibition runs 12 June - 11 September 2016. 

 

 

CYRUS TANG

CYRUS TANG's work 7403.00s (2016) has been selected as a finalist in the 2016 Sunshine Coast Art Prize

The exhibition of finalists will be held at Caloundra Regional Gallery from 18 August - 2 October 2016. 
 
 

Cyrus Tang, 7403.00s, 2016, archival giclee print, 90 x 90cm.

Cyrus Tang, 7403.00s, 2016, archival giclee print, 90 x 90cm.

ANNE SCOTT WILSON

Anne Scott Wilson, The sound of one foor tapping, 2015, Video still.

Anne Scott Wilson, The sound of one foor tapping, 2015, Video still.

ANNE SCOTT WILSON is currently exhibiting at Stockroom gallery in Kyneton, Victoria. The exhibition, titled The sound of one foot tapping after one of her works, explores the intersection between dance, movement and the tension amid live performance and memory. 

The exhibition is open from 14 May to 5 June.
For more information visit Stockroom's website.

JANET LAURENCE

Janet Laurence, Deep Breathing - Resuscitation for the Reef - Part 2 (video still), 2015. 

Janet Laurence, Deep Breathing - Resuscitation for the Reef - Part 2 (video still), 2015. 

JANET LAURENCE's video work Deep Breathing was featured in VIDEO FOREVER 28 - OCEAN. 

This latest session of VIDEO FOREVER was held at the Musèe de la Chasse et de la Nature in Paris, Wednesday 4 May 2016. 

 

PETER DAVERINGTON

Congratulations to PETER DAVERINGTON who has been selected as a finalist in the 10th Shirley Hannan National Portrait Award

This is one of Australia's most loved and richest portrait awards, the biennial award celebrates realistic portraiture. The winner will be announced by judge Dr. Christopher Chapman, National Portrait Gallery, on Friday 17 June at the Bega Valley Regional Gallery.  

The 10th Shirley Hannan National Portrait Award exhibition will run from 17 June to 20 August.

Peter Daverington, Self Portrait of the Artist, 2015, oil and gesso on canvas, 40 x 30cm. 

Peter Daverington, Self Portrait of the Artist, 2015, oil and gesso on canvas, 40 x 30cm. 

PETER DAVERINGTON, LYNDELL BROWN/CHARLES GREEN

Peter Daverington, Expedition to the Snowy Mountains, 2016, oil and enamel on linen, 122 x 91 cm

Peter Daverington, Expedition to the Snowy Mountains, 2016, oil and enamel on linen, 122 x 91 cm

Lyndell Brown/Charles Green & Jon Cattapan, Untitled (Look II), 2016, digital print with alkyd-modified oil paint on Duraclear, mounted on perspex, 100 x 100 cm

Lyndell Brown/Charles Green & Jon Cattapan, Untitled (Look II), 2016, digital print with alkyd-modified oil paint on Duraclear, mounted on perspex, 100 x 100 cm

Congratulations to PETER DAVERINGTON and LYNDELL BROWN/CHARLES GREEN & JON CATTAPAN, who have been selected as Finalists in the 2016 Bayside Acquisitive Art Prize! 

The opening event and winner announcement is Thursday 12 May, 6-8pm, at the Bayside Arts & Cultural Centre, Brighton. The exhibition runs to 26 June 2016.

More information >

CATHERINE WOO

CATHERINE WOO has been selected as finalist in the 2016 Deakin University Small Sculpture Award with her work Out of the woods. An exhibition with all the finalists' works will be open from 8 June to 15 July at the Deakin University Art Gallery.

Catherine Woo, Out of the woods, perspex, aluminium, glass, wood and pigment, 10 x 10 x 8.6 cm (each).

Catherine Woo, Out of the woods, perspex, aluminium, glass, wood and pigment, 10 x 10 x 8.6 cm (each).

PAT BRASSINGTON

PAT BRASSINGTON is a featured artist in Artbank's latest exhibition, The Waiting Room, curated by Dr Daniel Maudie Cunningham. The exhibition includes her work, Akimbo (1999), and looks at how visual stimulation occupies periods of waiting as a necessary distraction. 

Drawing from the Artbank collection, the works selected for the exhibition reflect on time, memory and desire to draw attention to the way we understand and perform this taken-for-granted facet of everyday life and its routines.

The exhibition runs from 12 May – 6 August 2016 at Artbank Sydney.

More information >

Pat Brassington, Akimbo, 1999, pigment print, 72 x 52 cm.

Pat Brassington, Akimbo, 1999, pigment print, 72 x 52 cm.

GUAN WEI

Art Guide Australia's Sarah Werkmeister has reviewed the group show Borders, Barriers, Walls featuring work by GUAN WEI. The exhibition explores concepts around borders between states, barriers to land, information, and resources, and walls. You can read the review here

The exhibition continues at Monash University Museum of Art until 2 July 2016. 

 

 

Guan Wei, Boatman No.1, 2005, acrylic on canvas, 137 x 162cm. 

Guan Wei, Boatman No.1, 2005, acrylic on canvas, 137 x 162cm.