ROBERT OWEN

ROBERT OWEN APPOINTED CURATORIAL ADVISOR FOR UNIVERSITY SQUARE

PUBLIC ART MELBOURNE

Congratulations to Robert Owen who has been appointed to lead the City of Melbourne's reimagining of University Square in Carlton.

Following a national open call, Owen was appointed as the Public Art Curatorial Adviser for the $8.8 million redevelopment, which commences in 2017. His creative vision for the project references the site’s rich and diverse associations, the process of change and the transformative journey of education.

More information >

View Robert Owen's Public Art Projects >

Webb Bridge, 2003. Artist: Robert Owen, in collaboration with architects Denton Corker Marshall Pty Ltd. For the Docklands Authority, Melbourne, Australia, Photography: John Gollings.

Webb Bridge, 2003. Artist: Robert Owen, in collaboration with architects Denton Corker Marshall Pty Ltd. For the Docklands Authority, Melbourne, Australia, Photography: John Gollings.

PETER DAVERINGTON

Peter Daverington, Arcadia (still), 2012, high definition single channel blue-ray video, 9mins.

Peter Daverington, Arcadia (still), 2012, high definition single channel blue-ray video, 9mins.

PETER DAVERINGTON is presenting a solo exhibition at the Minhang Mass Art Centre in Shanghai. 

Before the Apocalypse opens 7 December 2017. 

IN THE WHITE SQUARE

Robert Owen, Pink & Grey Wall, 1978, drymounted inkjet print, 72 x 47 cm.

Robert Owen, Pink & Grey Wall, 1978, drymounted inkjet print, 72 x 47 cm.

ARC ONE Gallery is delighted to present In the White Square, a group exhibition exploring themes of new abstraction curated by Laura Lantieri. An opening reception will be held on Saturday 10 December, 4-6pm. 

Showcasing the work of five Australian contemporary artists well-known for their use of abstraction as a primary visual language, In the White Square features Robert Owen, Jacky Redgate and Lydia Wegner, alongside invited artists Caleb Shea and Gemma Smith. Across a dynamic mix of sculpture and photo- based media, the artists in this exhibition are drawn together by a shared emphasis on formal concerns such as colour, form, space, light, optics and geometry. 

The exhibition draws its title from two of the 20th century’s great pioneers of abstract art – Vasily Kandinsky’s In the Black Square (1923), and Kasimir Malevich’s White on White (1918) – while referring obliquely to the ‘white cube’ exhibition space that came to rise in the last century. Situated in the formerly industrial, oblong ‘white cube’ of ARC ONE Gallery, In the White Square also considers the ways in which these artists employ abstraction in the context of a broader historical trajectory.

Variously touching on constructivism, minimalism, and hard-edge painting among other influences, the works blend a pared minimal aesthetic with a more idiosyncratic and playful touch. They invite the viewer to decipher lines, contours, surface textures and reflections in an almost puzzle-solving process, while blocks of colour activate spaces and pulse, oscillating between real and inferred depths of field. Challenging our understanding of what we see and what we know through an eye-popping agenda of geometry, colour and form, the artists of In the White Square collectively interrogate the very act of viewing. 

Please note ARC ONE Gallery will be closed from 18 December 2016 and reopen 24 January 2017.

Gemma Smith is represented by Sarah Cottier Gallery, Sydney, & Milani Gallery, Brisbane. 

PAT BRASSINGTON

The Art Gallery of New South Wales recently announced their 2017 program. This includes a major exhibition showcasing the work of PAT BRASSINGTON. 

Australian photo-media artist Pat Brassington has an incisive ability to infuse the familiar with the fantastic. Her work explores the domestic uncanny, psychoanalysis and bodily distortion, using a surrealist aesthetic charged with a feminist edge.
This exhibition from the Gallery’s collection traces her interest in the body as a fluid and flexible form. Featuring work from the 1990s alongside more recent work, it considers the haunting presence of the body in Brassington’s photographs and her particular use of visceral and allegorical imagery.

The exhibition, the body electric, will run from 19 August 2017 – 11 February 2018. 

Find out more here

 

 

Pat Brassington, Candie, 2013, pigment print, 60 x 44cm. 

Pat Brassington, Candie, 2013, pigment print, 60 x 44cm. 

MARIA FERNANDA CARDOSO

Maria Fernanda Cardoso, Stick Insect's Most Intimate Moments, 2008-2011, single channel HD video, colour, 37min. 

Maria Fernanda Cardoso, Stick Insect's Most Intimate Moments, 2008-2011, single channel HD video, colour, 37min. 

MARIA FERNANDA CARDOSO will be exhibiting her video work Stick Insect's Most Intimate Moments during Art Basel Miami. 

Art Basel runs from 1 - 4 December 2016. 

Watch the video here

MARIA FERNANDA CARDOSO

We are pleased to announce that MARIA FERNANDA CARDOSO has been included in the book L’ABC…Z des Héroïnes Figures féminines du monde by Marilyn Degrenne. The book brings together outstanding women’s profiles from around the world.

For more information visit this link

 

 

MARIA FERNANDA CARDOSO

Maria Fernanda Cardoso, Museum of Copulatory Organs.

Maria Fernanda Cardoso, Museum of Copulatory Organs.

Maria Fernanda Cardoso is presenting one of her vitrines of the Museum of Copulatory Organs (MoCO) in the latest group show at the Powerhouse Museum, Sydney.  

MoCO’s collection consists of dozens of anatomically accurate models of what is dubbed by scientists as ‘genitalic extravagance’ among invertebrates. MoCO Museum is part an ongoing research project by Cardoso. 

The exhibition Out of Hand: Materialising the Digital continues through to 25 June 2017. 

MARIA FERNANDA CARDOSO

MARIA FERNANDA CARDOSO's public commission, Sandstone Pollen, has been unveiled in the new Darling Harbour precinct.

This major public artwork – a series of unique sandstone pollen sculptures – was inspired by the diversity of pollen microfossils that were found in Darling Harbour, and were later identified by palynionologist Mike Macphail. 

Her ‘pollen morphologies’, combining scientific research and beautiful, complex forms, can be found along the Boulevard Walk, invoking conversation about the story of evolution, of sexual reproduction and the generation of formal beauty.

Cardoso’s work synthesises thought about the story of place and life as it was and as it is at Darling Harbour and Cockle Bay.

Read the artist proposal here

PETER DAVERINGTON

Peter Daverington, Learn From the Classics – But Please Don’t Destroy Them, 2015, oil, enamel and gesso on canvas, 198 x 152cm.

Peter Daverington, Learn From the Classics – But Please Don’t Destroy Them, 2015, oil, enamel and gesso on canvas, 198 x 152cm.

Peter Daverington has been listed as the 5th most exciting street artist working today by artnet News.  

An Australian-born artist now based in Beacon, New York, Peter Daverington took up street art at the tender age of 11. As an adult, he’s developed a style all his own, juxtaposing stylized graffiti lettering with superbly-modeled figures that appear to have stepped out of a Renaissance-era canvas. 

Read the entire article here

 

MARIA FERNANDA CARDOSO

MARIA FERNANDA CARDOSO is showing two new works at the latest MONA blockbuster exhibition On the Origin of Art. These works show us the court dance of the male Maratus jumping spiders, also known as 'peacock spiders'. It intends to show us how this beautiful insects are as talented as any human visual or performance artist. The exhibition is open from 5 November to 17 April 2017.

For more information, please click here.

Maria Fernanda Cardoso, On the Origins of Art I & II, 2016, Single channel HD video, hyper realistic sound with tactile dimension, 6:54min

PETER DAVERINGTON

Andrew Frost talks to PETER DAVERINGTON about his latest exhibition at ARC ONE Gallery, Weltlandschaft, in a fantastic interview published today on The Art Life. 

Read the interview here >

 

Peter Daverington, Akkadian Landscape, 2016, oil on canvas, 158 x 122 cm.

Peter Daverington, Akkadian Landscape, 2016, oil on canvas, 158 x 122 cm.

TRACY SARROFF

We are very excited with the advances of TRACY SARROFF's commission in Docklands, to be completed next year. Birrarung Moat, commissioned by Mirvac for the City of Melbourne, will be made of 16 buoys that will hold LED-lit acrylic shards of different sizes, which will respond in intensity and colour to the public and the rise of tides.

NIKE SAVVAS

Nike Savvas is exhibiting in Quicksilver: 25 Years of Samstag Scholarships at the Anne and Gordon Samstag Museum, University of South Australia. The exhibition celebrates the 25th anniversary of Gordon Samstag's remarkable bequest, which led to establishment of the Anne & Gordon Samstag International Visual Arts Scholarships. 

Quicksilver reflects on the impact of the Samstag Scholarships on the trajectory of Australian contemporary art. Pivotal works by six distinguished Samstag Scholars — including NIKE SAVVAS — highlights the exciting talent that the University of South Australia has had the pleasure of assisting over the last quarter century. 

The exhibition runs from 14 October - 9 December 2016. 

See this link for more information. 

Image: Quicksilver: 25 Years of Samstag Scholarships, featuring work by Nike Savvas, 2016, installation detail,  Anne & Gordon Samstag Museum of Art, University of South Australia. Photograph by Sam Noonan.

Image: Quicksilver: 25 Years of Samstag Scholarships, featuring work by Nike Savvas, 2016, installation detail,  Anne & Gordon Samstag Museum of Art, University of South Australia. Photograph by Sam Noonan.

JANET LAURENCE

Janet Laurence is exhibiting in the 30th Session of OCEANIC VISIONS at the 6th Biennial of Anglet curated by Paul Ardenne. This anniversary session of VIDEO FOREVER has been selected by Barbara Polla and promotes the way in which contemporary artists work with the ocean as an essential part of our life, as a frontier to cross, as a temple concealing memories and myths. 

The selection of video work will be screened on the 28th of October 2016. 

For more information click here

NIKE SAVVAS

Nike Savvas, Halo, 2016, Install View

Nike Savvas, Halo, 2016, Install View

The installation of a new commissioned work by NIKE SAVVAS has been recently completed. The work called Halo is now part of the Waurn Ponds Estate, a conference centre designed by Mcglashan Everist, at Deakin University’s Waurn Ponds campus. 

CYRUS TANG

CYRUS TANG has been commissioned by the Greater Dandenong for their Light Box Art Program. In this commission, TANG will show a series of photographs from her recent work Lacrimae Rerum, mounted on light boxes. The intention of this work is ' to echo the sense of an immigrant's or refugee's experience of displacement.'

The work will be seen from 9 November to 31 March 2017 at the Dandenong Civic Centre.

CYRUS TANG

Cyrus Tang, All our Yesterday, 2016, Paper and Porcelain

Cyrus Tang, All our Yesterday, 2016, Paper and Porcelain

CYRUS TANG will be exhibiting a new body of work at Nicholas Projects next month. The exhibition called All Our Yesterday opens on Friday 11 November, from 6 - 8pm with words by JOHN YOUNG, and it will run until 26 November.

 

MURRAY FREDERICKS

Murray Fredericks, Muybridge, 2015, Digital Pigment Print, 140 x 187 cm

Murray Fredericks, Muybridge, 2015, Digital Pigment Print, 140 x 187 cm

MURRAY FREDERICKS will be showing his SALT series at the Perc Tucker Regional Gallery in Townsville QLD. The exhibition opens on 28 October and it will run until 27 November. The Artists will be giving a talk at the gallery on Saturday 29 October at 10:30am.

For more information, please click here.

ANNE SCOTT WILSON

ANNE SCOTT WILSON will be exhibiting in a group show at RMIT Gallery, titled Morbis Artis: Diseases of the Arts. The exhibition explores the radical conjunction between the biomolecular and the artistic, and the thin doorway between life and death housed within discourses of disease.

 17 November 2016 - 18 February 2017

More information >

PETER DAVERINGTON

Peter Daverington, Jacob's Tent, 2016, oil on linen, 122 x 92 cm.

Peter Daverington, Jacob's Tent, 2016, oil on linen, 122 x 92 cm.

New York-based Australian artist Peter Daverington returns to Melbourne this November with an exhibition of new paintings, titled Weltlandschaft. Opening drinks will be held on Thursday 10 November, 6-8pm. 

A contemporary painter of rare technical distinction, Peter Daverington has garnered significant recognition for his unparalleled ability to mix pictorial styles and art genres. In his latest exhibition at ARC ONE Gallery, Daverington explores the landscape painting tradition of 16th century Northern Europe with a mélange of fantastical interjections. Against a backdrop of rolling valleys, cavernous skies and trees, seemingly- endless paths lead to covert horizons, rivers stream down floating geometric planes, and mountainous forms are peppered with candy-stripes, flaming tops and carnivalesque motifs. Moving away from linear perspective in favour of more isometric projections of space, Daverington creates captivating pictorial ‘maps’ that encourage the viewer to travel the canvas at free will. 

The exhibition’s German title, Weltlandschaft, meaning ‘world landscape’, refers to a period in Netherlandish painting of imaginary panoramic landscapes depicted from encompassing, elevated viewpoints. Inspired by the work of Joachim Patinir and Hieronymous Bosch, Daverington fuses these compositional techniques with his own unique aesthetic to create truly contemporary and surreal interpretations of the genre. In these landscapes early Renaissance, geometric hard-edge painting and even 1980s videogame design find an unlikely harmony. 

With several of the works’ titles referencing Sumerian mythology, Daverington seeks out points of connection across periods and cultures, and weaves a mythical narrative that reflects his own longstanding interest in ancient history, Mesopotamia and painting traditions beyond the West. In Weltlandschaft, Peter Daverington presents fantastic topologies of the imagination; he transforms us into armchair travellers, contemplating bygone and imagined vistas made mystic in a playful engagement of the unknown. 

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