PETER CALLAS, EUGENIA RASKOPOULOS & ANNE SCOTT WILSON

Peter Callas, Night's High Noon: An Anti-Terrain, 1988 (video still)

Peter Callas, Night's High Noon: An Anti-Terrain, 1988 (video still)

Anne Scott Wilson, Conversation, 2008 (video still)

Anne Scott Wilson, Conversation, 2008 (video still)

PETER CALLAS, EUGENIA RASKOPOULOS and ANNE SCOTT WILSON are included in Red Green Blue: A History of Australian Video Art at the Griffith University Art Gallery. 

Curated by Matthew Perkins, the exhibition features over 60 works from the 1970s through to the present day. This major survey takes the viewer on a historical journey, while at the same time celebrating the ongoing dynamism and depth of video art practice in Australia.

Eugenia Raskopoulos, rootreroot & routreroute, 2016. installation view Tarrawarra Biennial 2016: Endless Circulation. Photo: Andrew Curtis

Eugenia Raskopoulos, rootreroot & routreroute, 2016. installation view Tarrawarra Biennial 2016: Endless Circulation. Photo: Andrew Curtis

The exhibition will run from 30 March - 8 July 2017.

More information >

JANET LAURENCE

Parliament: An island in an island is a proposition for a major new public artwork at GASP, by JANET LAURENCE and Tega Brain.

As part of the GASP Swimmable: Reading the River program (2015-17), the artists have proposed a work that takes the form of a small island, to be located just off-shore, in the shallows of the Derwent River.

The artists will present their proposition at GASP on 26 March 2017, as part of the Ten Days on the Island Festival. 

Find out more here

Janet Laurence and Tega Brain, Parliament: An island in an island, 2017. 

Janet Laurence and Tega Brain, Parliament: An island in an island, 2017. 

ANNE ZAHALKA

Anne Zahalka, Untitled (Atlas Studios, Quarzazate), 2015, pigment ink on rag paper, 100 x 74.5cm. 

Anne Zahalka, Untitled (Atlas Studios, Quarzazate), 2015, pigment ink on rag paper, 100 x 74.5cm. 

ANNE ZAHALKA is part of the Centre for Contemporary Photography's 2017 Masterclass Program.

Zahalka's Travel Photography Unpacked: developing a critical eye course will deliver in-depth and intimate knowledge of the artist's practice with a focus on travel photography. The class will be held at CCP, Fitzroy on the Saturday 14 October 2017.

Find out more here

 

GUO JIAN

‘I remember the blood stain on my aboriginal T-shirt’: Artist recalls the horror of Tiananmen Square

The Daily Telegraph details GUO JIAN's experiences in China as a pro-democracy demonstrator who survived the Tiananmen Square Massacre of 1989.

Read the full article and the artist's fascinating history here >

Guo Jian, as a soldier in the People’s Liberation Army in 1980 or 1981.

Guo Jian, as a soldier in the People’s Liberation Army in 1980 or 1981.

MURRAY FREDERICKS

Murray Fredericks, Salt 272, 2011, pigment print on cotton rag, 120 x 150cm. 

Murray Fredericks, Salt 272, 2011, pigment print on cotton rag, 120 x 150cm. 

MURRAY FREDERICKS is exhibiting in the group exhibition, From the Darkness..., at Horsham Regional Art Gallery. The exhibition presents seven iconic works from the gallery's Photography Collection which investigate light, performance, and architectural space. 

The exhibition continues until 16 April 2017. 

Here's a short article from Art Guide Australia regarding the exhibition. 

JULIE RRAP

JULIE RRAP's work is featured in Under the Sun: Reimagining Max Dupain’s Sunbaker at The State Library of New South Wales from 18 February - 17 April 2017. Organised by the Australian Centre for Photography, Rrap was invited to create new work in response to the iconic 'Sunbaker' by revered Australian photographer Max Dupain.

More information > 
In the press >

Julie Rrap, Speechless 2, 2017, bronze and steel.

Julie Rrap, Speechless 2, 2017, bronze and steel.

EUGENIA RASKOPOULOS

EUGENIA RASKOPOULOS's work, 'Untitled 99-00' 1999-2000, features in Let's Talk About Text, a new exhibition curated by Daniel Mudie Cunningham and Miriam Kelly opening as part of Art Month Sydney.

Let's Talk About Text presents works from the Artbank collection that harness text based communication as a pictorial device. From sloganeering statements to vernacular fragments and found fonts, this exhibition focuses on how artists respond to and encourage the visual pleasure of inventive typographic forms for personal and political ends.

The exhibition opens on 16 March 2017, 6-8pm, at Artbank Gallery, 222 Young Street, Waterloo, Sydney.

More Information >

Eugenia Raskopoulos, Untitled 99-00, 1999-2000 (detail), 122 x 122 cm

Eugenia Raskopoulos, Untitled 99-00, 1999-2000 (detail), 122 x 122 cm

PAT BRASSINGTON

"Pat Brassington, a photographer whose images seem as committed to impossibility as they are to organicism. Brassington’s images are disturbingly familiar, almost like postcards from possible futures, or memories of dreams from the distant past." 

The BMW Art Guide by Independent Collectors has profiled the contemporary art collection of Australia's Ten Cubed Collection. PAT BRASSINGTON is one of the collection's ten selected artists.

Have a read of the profile here

 

Pat Brassington, Mind Game, 2013, pigment print, 60 x 46cm. Part of the Ten Cubed Collection. 

Pat Brassington, Mind Game, 2013, pigment print, 60 x 46cm. Part of the Ten Cubed Collection. 

PHAPTAWAN SUWANNAKUDT

PHAPTAWAN SUWANNAKUDT is one of three prominent South-East Asian artists included in the inaugural exhibition for Thienny Lee Gallery, Sydney. Beauty and Myth of South East Asia opens Thursday, 2 March 2017 from 6–8pm. 

The exhibition continues until 28 March 2017. 

Find out more here

Phaptawan Suwannakudt, Reincarnation of the Butterflies 2, 2016, acrylic, silver foil and ink on board, 30 x 40cm. 

Phaptawan Suwannakudt, Reincarnation of the Butterflies 2, 2016, acrylic, silver foil and ink on board, 30 x 40cm. 

CYRUS TANG

Congratulations to CYRUS TANG who has been selected as a finalist for the Wyndham Art Prize with her photographic work 7403.00s

The exhibition of shortlisted works will be on display at the Wyndham Art Gallery, Victoria from 6 April—11 June 2017.  

 

 

 

Image: Cyrus Tang , 7403.00s, 2016, archival Giclee print, 90 x 90cm.  

Image: Cyrus Tang , 7403.00s, 2016, archival Giclee print, 90 x 90cm.  

JANET LAURENCE

JANET LAURENCE has been curated into Force of Nature, an exhibition that includes work by 28 established and emerging international contemporary artists, surveying the influence of nature and its processes on their work. Curated by James Putnam, Research Fellow at London College of Fashion, University of the Arts London, Force of Nature aims to communicate an awareness of nature’s increasing fragility and some of the works are concerned with urgent issues of ecological and social sustainability.

The exhibition will be showing at the Art Pavilion in Mile End, London, from 5 March - 9 April 2017. 

More information >

GUO JIAN

"Images of landscapes, birds and flowers are peaceful and serene from a distance, but break down upon closer inspection." 

Art Guide Australia feature GUO JIAN's The Encroachment in the January/February 2017 issue. 

To read the full article, click here >

ANNE SCOTT WILSON

The group exhibition, Morbis Artis: Diseases of the Arts, will be part of the White Night 2017 program. The show features ANNE SCOTT WILSON's balloon installation and video projection titled Fluid Retention

Find out more here

JANET LAURENCE

The Australian Tapestry Workshop is working with JANET LAURENCE on a new tapestry commission, Listen, to the Sound of Plants. The original artwork is comprised of images from Laurence's extensive archive of images of plants. 

In Listen, to the Sound of Plants, the weavers are aiming to capture the layers and use of transparencies and glass that are the hallmarks of Laurence's work. 

Find out more here.

ROBERT OWEN

ROBERT OWEN APPOINTED CURATORIAL ADVISOR FOR UNIVERSITY SQUARE

PUBLIC ART MELBOURNE

Congratulations to Robert Owen who has been appointed to lead the City of Melbourne's reimagining of University Square in Carlton.

Following a national open call, Owen was appointed as the Public Art Curatorial Adviser for the $8.8 million redevelopment, which commences in 2017. His creative vision for the project references the site’s rich and diverse associations, the process of change and the transformative journey of education.

More information >

View Robert Owen's Public Art Projects >

Webb Bridge, 2003. Artist: Robert Owen, in collaboration with architects Denton Corker Marshall Pty Ltd. For the Docklands Authority, Melbourne, Australia, Photography: John Gollings.

Webb Bridge, 2003. Artist: Robert Owen, in collaboration with architects Denton Corker Marshall Pty Ltd. For the Docklands Authority, Melbourne, Australia, Photography: John Gollings.

IN THE WHITE SQUARE

Robert Owen, Pink & Grey Wall, 1978, drymounted inkjet print, 72 x 47 cm.

Robert Owen, Pink & Grey Wall, 1978, drymounted inkjet print, 72 x 47 cm.

ARC ONE Gallery is delighted to present In the White Square, a group exhibition exploring themes of new abstraction curated by Laura Lantieri. An opening reception will be held on Saturday 10 December, 4-6pm. 

Showcasing the work of five Australian contemporary artists well-known for their use of abstraction as a primary visual language, In the White Square features Robert Owen, Jacky Redgate and Lydia Wegner, alongside invited artists Caleb Shea and Gemma Smith. Across a dynamic mix of sculpture and photo- based media, the artists in this exhibition are drawn together by a shared emphasis on formal concerns such as colour, form, space, light, optics and geometry. 

The exhibition draws its title from two of the 20th century’s great pioneers of abstract art – Vasily Kandinsky’s In the Black Square (1923), and Kasimir Malevich’s White on White (1918) – while referring obliquely to the ‘white cube’ exhibition space that came to rise in the last century. Situated in the formerly industrial, oblong ‘white cube’ of ARC ONE Gallery, In the White Square also considers the ways in which these artists employ abstraction in the context of a broader historical trajectory.

Variously touching on constructivism, minimalism, and hard-edge painting among other influences, the works blend a pared minimal aesthetic with a more idiosyncratic and playful touch. They invite the viewer to decipher lines, contours, surface textures and reflections in an almost puzzle-solving process, while blocks of colour activate spaces and pulse, oscillating between real and inferred depths of field. Challenging our understanding of what we see and what we know through an eye-popping agenda of geometry, colour and form, the artists of In the White Square collectively interrogate the very act of viewing. 

Please note ARC ONE Gallery will be closed from 18 December 2016 and reopen 24 January 2017.

Gemma Smith is represented by Sarah Cottier Gallery, Sydney, & Milani Gallery, Brisbane.