JACKY REDGATE's work, 'Light Throw (Mirrors)' is now showing in Latrobe Regional Gallery's exhibition, 'Unpacking Home'. The exhibition runs until May 24, 2026.
In 2018, Latrobe Regional Gallery showcased REDGATE's 'Light Throw (Mirrors) Fold #1 –10' photographic series in its entirety (see image 2). The work is part of her ongoing investigation of light and space, her photographs and sculptures are grounded in conceptualism and minimalism.
'Unpacking Home' pulls works from the Latrobe Regional Gallery collection that trace how migrants transform displacement into belonging through objects, memories, and daily rituals. It reflects on home as both place and practice – the tender, ongoing work of turning the unfamiliar into the known.
JACKY REDGATE featured in VAULT
JACKY REDGATE's feature article, 'The Earth Moved', is written by Robert Leonard (Director of the Institute of Modern Art (IMA) Brisbane) and is a multi-page piece exploring her recent solo exhibition at ARC ONEGallery, 'Flowers and Frolics', 2025.
'There are games going on within Flowers and Frolics. But the series also has to be understood as part of a bigger game involving Redgate’s whole oeuvre. Redgate has been exhibiting for decades, building a complex, cross-referenced body of work, operating at intersections of conceptualism, minimalism and feminism, traversing many media. Where she goes next is often a surprise, her moves perverse. She regularly throws spanners into the works, making new things that derange our sense of older ones, deterritorialising, reterritorialising. Increasingly, this has become the subject of her work.' - Robert Leonard, VAULT issue 53.
Robert Leonard is an art curator and writer with over three decades of experience. He has returned to the
Director’s seat at IMA, having earlier led there from 2005 to 2013. He was the curator of New Zealand
pavilions at the Venice Biennale in 2003 and 2015.
DANI MARTI & JACKY REDGATE announced as finalists for Wollongong Art Prize
DANI MARTI & JACKY REDGTE have been announced as a finalist in the Wollongong Art Prize.
Marti’s sculptural work ROSA FEIXUDA – Take 1 Queer Bodies displays his sensuous explorations of materiality and identity, Marti creates works that are at once intimate and monumental - pieces that invite deep emotional connection and command attention in any collection.
Redgate’s Flowers and Frolics #7 is from her series of tableaux photographs that stage playful, hallucinatory scenes using Mylar mirror - a reflective polyester film that warps and distorts reflections.
The art prize exhibition will be on view at the Wollongong Art Gallery from 6 December 2025 to 1 March 2026.
JACKY REDGATE & JULIE RRAP feature in Women photographers 1853–2018 at The National Gallery of Australia
JACKY REDGATE and JULIE RRAP will be featured in the National Gallery of Australia's major upcoming exhibition Women photographers 1853–2018, showing from 11 October 2025 to 15 March 2026.
Her striking work Light throw (mirrors) #8 2011 will feature in the exhibition. Redgate’s Light throw (mirrors) series is a landmark exploration of light, reflection, and perception, critically expanding the language of photographic abstraction.
Rrap's powerful Persona and Shadow series will be on display for the exhibition - a powerful nine-part photo-media series which parodies the way women have been portrayed in art history.
Women photographers 1853–2018 is a Know My Name project, the National Gallery initiative celebrating the work of women artists to further understanding of their contribution to Australia’s cultural life.
Spanning over 160 years of image-making, this exhibition highlights how women have transformed photography and how photography has empowered women to transform the world around them.
Women photographers 1853–2018 is part of the gallery’s Know My Name initiative, celebrating the vital contributions of women artists to Australia’s cultural history and how photography has been both a tool and a force for transformation.
JACKY REDGATE Features in STRAIGHTCUT: Photographs from the LRG Collection at Latrobe Regional Gallery
Anchored by Jacky Redgate’s STRAIGHTCUT series this exhibition shines a spotlight on the artistry of local photographers alongside some of Australia’s most renowned names in the discipline.
Spanning decades of photographic practice, from as early as 1933, 'STRAIGHTCUT: Photographs from the LRG Collection' invites viewers to explore the diversity and depth of photographic expression, showcasing the talent and technical skill that define the medium.
📅 Exhibition continues until September 21
📍 Latrobe Regional Gallery
JACKY REDGATE at Museum of Australian Photography (MAPh)
This stellar work by Jacky Redgate is on display currently at the Museum of Australian Photography (MAPh), in their exhibition 'Built photography'. Curated by artists Kiron Robinson and Izabela Pluta, with support from MAPh Director Anouska Phizacklea, Built photography brings together 16 artists who explore photography as a physical construction.
Celina Lei wrote about Redgate's work for ArtsHub recently:
"Redgate’s explorations in both sculpture and photography are exemplified in this piece, which interrogates perception through the lens in a carefully constructed assemblage of a glass, a bottle and a bowl while paying homage to photographic predecessors."
BUILT PHOTOGRAPHY
📅 8 June – 25 August 2024
📍Museum of Australian Photography
IMAGE: Jacky Redgate, Untitled from Anonymous (probably Daguerre or Niépce de Saint-Victor), ‘table prepared for a meal’ c. 1829 1990 library buckram, cardboard, ceramic and glass, 105.0 x 55.0 x 55.0 cm (irreg.) Monash University Collection.
Jacky Redgate featured in Artist Profile
Judith Blackall has written a profile on Jacky Redgate, discussing her exhibition Hyponagogia with Mirrors - old and new work, 1977- 2023, currently on display at the Wollongong Art Gallery.
JACKY REDGATE solo exhibition opens at Wollongong Art Gallery
JACKY REDGATE’S new, major solo exhibition Hypnagogia with Mirrors: Old and New Work, 1977-2023, has recently opened at the Wollongong Art Gallery.
Hypnagogia with Mirrors is an artist project that encompasses some of Jacky Redgate's best-known works along with others previously unseen, and new and archival materials. In her work, mirrors are at once means and metaphors, reflecting other times, other dimensions. This show is also site-specific, playing on the Wollongong Art Gallery’s architecture, history, and collection.
One of Australia’s leading contemporary artists, Redgate has a practice extending across six decades. Emerging within the contexts of late modernism, minimalism and conceptualism, and feminism, she is known for her photographic and sculptural works exploring systems and logics, impersonal and personal.
The exhibition is open 16 September-26 November 2023.
JACKY REDGATE features in 'Vision Splendid: Highlights from the University of Wollongong Art Collection'
JACKY REDGATE's hypnotic work 'Light Throw (Mirrors) #5 ' is currently in 'Vision Splendid: Highlights from the University of Wollongong Art Collection' at Hazelhurst Art Centre
The exhibition represents the strength of The University of Wollongong’s collection, with a showcase of over 100 works by leading Australian artists. The exhibition continues until 18 June.
JACKY REDGATE, Light Throw (Mirrors) #5, 2010, C-Type photographs (hand-printed from original negative), 126 x 158 cm. Collection: University of Wollongong Art Collection.
JACKY REDGATE at HEIDE MoMA
Jacky Redgate, Light Throw (Mirrors) #7, 2009-10, silver halide Chromogenic photograph handprinted, edition of 3 + AP, 1/3,
JACKY REDGATE’s work ‘Light Throw (Mirrors) #7’, is included in the exhibition ‘Things that will not sit still’, curated by Melissa Keys.
Drawn from the Heide Museum of Modern Art collection ‘Things that will not sit still’ explores the shifting nature of perception, art and ideas. The exhibition addresses the way in which the selected artworks attend to, or, suggest movement—forward and back across time—shifts in focus, perceptual dissolution, forms of disruption and agitation.
The exhibition continues until 20 November 2022.
Artist feature in 'Installation View: Photography Exhibitions in Australia (1848-2020)'
IMAGE: Anne Zahalka, The Cook (Michael Schmidt/architect) from the series Resemblance, 1986, matt Cibachrome paper, unique larger size, 100 x 100cm.
Six of our artists ANNE ZAHALKA, PAT BRASSINGTON, JULIE RRAP, JACKY REDGATE, JUSTINE KHAMARA and JOHN YOUNG feature in Daniel Palmer and Martyn Jolly's publication 'Installation View: Photography Exhibitions in Australia (1848-2020)', published by Perimeter Books and designed by Public Office.
"Installation View offers a significant new account of photography in Australia, told through its most important exhibitions and models of collection and display. By looking at what lies beyond the frame the exhibition speaks not only to pictures, but to the people and places that nurture them."
Find more information about the book here
JACKY REDGATE interviewed by ART COLLECTOR
JACKY REDGATE was interviewed by Louise Martin-Chew for a mammoth profile in the recent issue of Art Collector Magazine.
In Redgate's practice, the drawing together of historical sources, narratives referring to modernist heritage, migration, convalescence, feminism, studio constructions and an aesthetic that is slick and highly resolved is united, at times, with the emotional slippage of her more personal essays. It is, inevitably, compelling viewing, as evidenced by her presence in institutional collection worldwide.
READ MORE in Art Collector’s 100th issue (April/June 2022)
Five of ARC ONE artists are featured in the newly published 'Doing Feminism: Women’s Art and Feminist Criticism in Australia'
Anne Marsh, ‘Doing Feminism: Women’s Art and Feminist Criticism in Australia’, published on 2 November, 2021, by The Miegunyah Press.
Five of ARC ONE artists – ANNE ZAHALKA, EUGENIA RASKOPOULOS, PAT BRASSINGTON, JULIE RRAP and JACKY REDGATE are featured in the newly published ‘Doing Feminism: Women’s Art and Feminist Criticism in Australia’.
Providing a comprehensive analysis of women’s art movements in Australia from the 1960s onward, this remarkable book by art historian Anne Marsh chronicles the struggles, contestations and achievements of women and feminism in Australian visual arts history. The book also acts as an divergent investigation into how the “doing” of feminism has shaped contemporary art and culture at home and abroad.
“…art and feminism are cyclical; they spiral in and out of time, and it’s interesting to see these younger women, very schooled in theoretical frameworks, turning back to an earlier time, and asking: why aren’t we doing that anymore?” ——Anne Marsh in conversation with Susanna Ling.
JACKY REDGATE INCLUDED IN OVER JOURNAL
Jacky Redgate, Untitled (Vase Shape #1–#5), 1989, wood, ceramic, acrylic. Installation view, Jacky Redgate: Life of the System: 1980 – 2005, 2005.
JACKY REDGATE’s work, Untitled – Vast Shape #1-5 (1989) has been written about in Over Journal, Issue 2. In this issue, Yvette Hamilton reflects on the paradoxical expansion of photography in her essay Beyond Ocular Vision.
“Whilst created before the widespread prevalence of the idea of non-human photography, Australian artist Jacky Redgate’s 1989 series, Untitled, Vase Shape draws attention to the complex relationship between representation and human vision within photography. Through mimicking the shape of a photographic infinity screen and placing a vase shaped sculpture within it, both of which are painted a velvety matte black, Redgate’s work speaks of photographic vision and its failure. Her actions make the objects barely visible and almost impossible to photograph, a decision that makes the work very much dependent on the human presence of the viewer in the exhibition space.”
For more information and to order a copy, see here >
PAT BRASSINGTON & JACKY REDGATE IN BOWNESS ANNIVERSARY EXHIBITION
PAT BRASSINGTON & JACKY REDGATE are included in the MGA Bowness Photography Prize Anniversary exhibition at Wangaratta Art Gallery, from 21 August – 14 November, 2021.
Curated by MGA Director Anouska Phizacklea, the exhibition celebrates the past winning artists (2006–20) with a selection of works drawn from the MGA Collection and showcases contemporary photography in Australia.
JACKY REDGATE won the Bowness Prize in 2011 with her work Light throw (mirrors) #4, 2011; and PAT BRASSINGTON in 2013 with her work Shadow boxer, 2013.
Jacky Redgate, Light throw (mirrors) #4, 2011, from the series Light throw (mirrors), 2009–2011, chromogenic print, 126 x 158 cm
Pat Brassington, Shadow boxer, 2013, from the series Quill, pigment ink-jet print, 72 x 50 cm
EUGENIA RASKOPOULOS & JACKY REDGATE IN 'KNOW MY NAME: PART TWO' AT NGA
Jacky Redgate, Light Throw (Mirrors) #3, 2010-11, C-Type photograph face mounted on acrylic, 126 x 158cm
JACKY REDGATE & EUGENIA RASKOPOULOS are included in Part Two of Know My Name: Australian Women Artists 1900 to Now at the National Gallery of Australia.
Following a gradual transformation from Part One, Part Two is now open in its entirety. Know My Name tells a new story of Australian art. Looking at moments in which women created new forms of art and cultural commentary such as feminism, the exhibition highlights creative and intellectual relationships between artists across time.
Part Two continues until 26 January 2022.
Jacky Redgate, Light Throw (Mirrors) #4, 2011, silver halide Chromogenic photograph handprinted, 126 x 158 cm
PAT BRASSINGTON & JACKY REDGATE IN BOWNESS ANNIVERSARY EXHIBITION
Pat Brassington, Shadow Boxer, pigment print, 72 x 50 cm
JACKY REDGATE & PAT BRASSINGTON have works on display at Smith & Singer on Collins Street for the next few weeks, as part of the MGA’s travelling exhibition Bowness Photography Prize Celebrates 15 Years.
In 2020 the Bowness Photography Prize marked its 15th year. To celebrate MGA has partnered with Smith & Singer to showcase the previous 15 recipients during the International Photo Festival. As the recipients of the 2011 and 2013 prizes respectively, Redgate and Brassington’s works are on view!
The Bowness Photography Prize has become an important survey of contemporary photographic practice and one of the most prestigious prizes in the country. The Prize reveals artists’ continued fascination with exploring and pushing the boundaries of the photographic medium, embracing its capacity to explore a diversity of voices and perspectives.
The exhibition will continue until 7 March.
JACKY REDGATE IN UOW EXHIBITION
JACKY REDGATE has two works currently showing at University of Wollongong in the exhibition Chrysalis, jointly curated by UOW Art Collection and The School of Arts, English and Media.
These works connect Redgate’s well-known interest in the mirror photographs of Florence Henri with her little-known interest in American photographer Dare Wright, author of the 1957 children’s book The Lonely Doll.
Chrysalis continues until 14 November.
See our available works in Sydney Contemporary for one of Jacky’s 2020 HOLD ON works exploring similar themes!
SYDNEY CONTEMPORARY GOES LIVE ONLINE
Sydney Contemporary is taking a different shape this year. From tomorrow, the art fair will be live online for the entire month of October!
ARC ONE Gallery will be featuring new works by PETER DAVERINGTON, MURRAY FREDERICKS, HONEY LONG & PRUE STENT, JACKY REDGATE and GUAN WEI.
This year’s art fair is free to browse! The SC Team have worked tirelessly to build a custom platform to connect artists & galleries with the arts community.⠀⠀⠀⠀⠀⠀⠀⠀⠀
VIP Preview: 1 October 10am
Public Viewing: 1 October 2pm
Visit the fair HERE!
MGA 30 YEAR ANNIVERSARY CATALOGUE
'VIEW FINDING Monash Gallery of Art 1990—2020', designed by Pidgeon Ward.
The MGA recently launched a landmark 30 year anniversary publication - VIEW FINDING Monash Gallery of Art 1990—2020.
This fully illustrated catalogue features image plates by ARC ONE artists Pat Brassington, Lyndell Brown & Charles Green, Rose Farrell & George Parkin, Robert Owen, Jacky Redgate, Julie Rrap, Lydia Wegner and Anne Zahalka. It charts the history of the gallery, its present, and the future of photography in Australia.
Over the last 30 years MGA has developed one of Australia’s most important cultural assets — the only public collection solely dedicated to Australian photography. MGA’s artistic program has explored the diversity of photographic practice in Australia, and has placed Australian photographers and photography within a global context. 'View Finding' looks at the past, present and future of photography in Australia, presenting moments that have defined MGA, its collection and exhibition history.
A selection of leading lights who specialise in photography in Australia have contributed essays to the publication. You can purchase it here.
