Honey Long and Prue Stent open new solo exhibition in Rome, Italy

Grotto launches a solo exhibition from Honey Long and Prue Stent at GOMMA, Rome.

“In Grotto – explains the curator and gallerist Camilla Carè – Long and Stent bring a series of surreal snapshots that speak of mystery, letting us enter a synthetic cave of their imagination. The artists use their camouflaged bodies, allowing faceless apparitions to emerge from the female form. Sometimes statuesque, sometimes creators, the bodies in Grotto inhabit a timeless space. We have a history of appropriations behind us. Of lands, of bodies, of animal, vegetal and aquatic otherness. In the thirst for individual existence, these colonizers proceeded to categorize, designing a modern past under the banner of the supremacy of man and science over nature. To this day, there still remains a cultural weight on these bodies, which instead claim their belonging to an interdependent plurality. We flow, they seem to whisper. They are human, non-human and more-than-human beings, aquatic and shimmering and changeable forms, which draw new relationships between the organic and inorganic world.”

'Imants Tillers: The Mosman Years' opens at Mosman Art Gallery

Today marks the opening of 'IMANTS TILLERS: THE MOSMAN YEARS' curated by Kelly McDonald at the Mosman Art Gallery in Sydney.

The exhibition explores the pivotal moment in the 1980s when Tillers began creating large-scale canvasboard paintings while living in a small Federation duplex in Mosman. IMANTS TILLERS: THE MOSMAN YEARS features 25 works from the last four decades, and will include the first canvasboard work Tillers ever created in 1981.

Imants Tillers, View, 1989, oilstick, gouache, synthetic polymer paint on 72 canvasboards, nos. 21007–21078 228.6 x 304.8 cm Private collection

Desmand Lazaro is now showing 'Point and Line to Plane' at AGNSW

Desmand Lazaro is now showing 'Point and Line to Plane', a specially commissioned artist project, at the Art Gallery of New South Wales, curated by Jackie Dunn.

Nestled in the heart of the AGNSW's major exhibition 'Kandinsky', Lazaro’s work explores our fundamental relationship with the cosmos through ‘sacred geometries’ – the hidden meaning of shapes – probing the laws of art and nature to consider their mysteries. It features several of Lazaro's interstellar paintings and sketchbooks, combined with some truly beautiful exhibition design inspired by Lazaro's work.

Imants Tillers awarded the University of Sydney's 2023 Alumni Award

Congratulations to Imants Tillers who has been awarded the University of Sydney's 2023 Alumni Award for Cultural Contribution. Awarded to alumni who have achieved excellence in the arts, culture or creative sectors, it recognises those whose efforts have promoted the understanding and values of cultural diversity.

Though he was studying architecture, Tillers was drawn to the arts and the culture around the newly-formed Tin Sheds galleries. The style he developed in this period has made him one of Australia's most recognisable post-modern artists.

Tillers recent exhibition at ARC ONE Gallery ‘After De Chirico’ explored a relationship which transcends the usual definitions of homage and influence. Maintaining an intimacy with the work of Giorgio de Chirico over five decades, Tillers interest in de Chirico is spurred on not only by the early so-called ‘metaphysical’ paintings that made him legendary amongst the early Surrealist artists, but also the once-controversial, much reviled ‘late’ paintings.

ANNE ZAHALKA wins William and Winifred Bowness Photography Prize

Last night Sydney-based artist Anne Zahalka was named winner of the 2023 William and Winifred Bowness Photography Prize for her work Kunstkammer (2023).

Rhana Devenport (ONZM, Director, Art Gallery of South Australia) and Michael Cook (Brisbane-based contemporary photographic artist of Bidjara heritage) joined MAPh Director Anouska Phizacklea to select the winner and three Honourable Mentions from a shortlist of 66 exceptional works.

The judges comments:

'Anne Zahalka’s archival project is a mammoth undertaking documenting a lifetime of practice, both monumental and intimate, this work is rare and important.' — Rhana Devenport

'I was looking for works that created an emotional response and was amazed with the depth in the entire field. Winner Anne Zahalka’s work stood out given the huge scale she has produced that travels beyond the two dimensions.' — Michael Cook

'Anne’s Zahalka’s ‘Kunstkammer’ is a tour-de-force reflecting a practice that she has sustained for more than 40 years. This work challenges assumptions about photography and how immersive and experiential it can be on a grand scale. It invites you into the artist’s process and innerworkings in a way few artists have ever achieved.' — Anouska Phizacklea

Visit MAPh to view this work, alongside the other incredible finalists.

JACKY REDGATE solo exhibition opens at Wollongong Art Gallery

JACKY REDGATE’S new, major solo exhibition Hypnagogia with Mirrors: Old and New Work, 1977-2023, has recently opened at the Wollongong Art Gallery.

Hypnagogia with Mirrors is an artist project that encompasses some of Jacky Redgate's best-known works along with others previously unseen, and new and archival materials. In her work, mirrors are at once means and metaphors, reflecting other times, other dimensions. This show is also site-specific, playing on the Wollongong Art Gallery’s architecture, history, and collection.

One of Australia’s leading contemporary artists, Redgate has a practice extending across six decades. Emerging within the contexts of late modernism, minimalism and conceptualism, and feminism, she is known for her photographic and sculptural works exploring systems and logics, impersonal and personal.

The exhibition is open 16 September-26 November 2023.

Jacky Redgate, Wedding Wishes, 1977, resin, doll head, plastic, fabric, 13.5 x 18.5 x 18.5cm.

MURRAY FREDERICKS AND JANET LAURENCE at Sydney Contemporary

ARC ONE Gallery has brought together two giants of contemporary Australian art. A strong visual heartbeat runs through the new work of MURRAY FREDERICKS and JANET LAURENCE, who are presenting the extremities of fire and ice at Sydney Contemporary.

Murray Fredericks’ much-anticipated series BLAZE is debuting in Australia at the fair. Using non-destructive methods, Fredericks creates phantastic images of fire and flood by conjuring dramatic fires within vast deluged river systems. Janet Laurence presents an extraordinary new body of work addressing her passionate concern for the plight of Antarctica. Both artists have the capacity to arrest audiences in their tracks and this display asks us to sit with some of the most important questions facing our planet this century.

Fredericks’ BLAZE series has bewitched audiences across the world. Undeniably intense, there is a biblical quality to Fredericks’ images. The making of BLAZE was documented in a behind-the scenes film that accompanies the display at Sydney Contemporary, giving audiences a glimpse into the epic lengths Fredericks goes to capture the perfect image.

Janet Laurence’s breath-taking series Once Were Forests creates visceral waves of intense feeling. They address Laurence’s research into ice climates; as she says, “All these glacial experiences live with me”. She has visited places such as Antarctica and Iceland, and a great gravitas lays at the very centre of these beautiful, layered works. We see our own sense of urgency reflected in her compositions. There are few who can resist the enfolding testimony that Laurence offers. We are compelled not to look away.

JANET LAURENCE wins Falling Walls Science Summit Award

Janet Laurence has been awarded one of the Falling Walls Science Breakthroughs of the Year for 2023.

Having recently been to the Antarctic and working with scientists there, I feel the need to make this extraordinary and fragile place comprehensible through art. Antarctica's unraveling, through catastrophic climate change, needs to be demystified and brought to a broad audience. Antarctica's future will determine our ways of being on the planet."

Laurence will be in Berlin later this year to attend the Falling Walls Science Summit, discussing the hidden complexities of Antarctic exploration and the need for fostering empathy alongside environmental consciousness.

DANI MARTI is a finalist in Wangaratta Contemporary Textile Award

Dani Marti was a finalist this year, with the rhythmic work 'Between - 'Llunyanies Fosquejades' at the Wangaratta Contemporary Textile Award.

This nationally acclaimed, acquisitive biennial prize celebrates the diversity and strength of textile art across Australia.

DANI MARTI in 'HIV Science as Art' at Metro Arts

Dani Marti is featureed in HIV Science as Art from 24 July through to 5 August 2023 at Metro Arts in Brisbane, Australia.

HIV Science as Art is an exhibit that highlights some of the world’s best HIV science through art in conjunction with the 12th International Conference on HIV Science. This exhibition bringis the scientific advancements in HIV to life through the work of twelve artists living with HIV from around the world. Proudly presented by IAS and NAPWHA, proceeds from the sale of artwork will go to HIV programs and services in the Asia/Pacific region.

PAT BRASSINGTON, JULIE RRAP, HONEY LONG & PRUE STENT on display in 'In the Arms of Unconsciousness: Women, Feminism & the Surreal' at Hazelhurst Arts Centre

In the Arms of Unconsciousness: Women, Feminism & the Surreal features a selection of works including Pat Brassington, Julie Rrap, Honey Long & Prue Stent, among other significant contemporary Australian artists on display at Hazelhurst Arts Centre from 1 July 2023 to 10 September 2023.

Sitting within a renewed global interest in women artists and Surrealism, this ambitious exhibition explores ideas of feminism and the surreal, proposing an intrinsic between the two, particularly in contemporary Australian art practice over the decades.

Installation view of a selection of works by Pat Brassington, In the arms of unconsciousness: Women, feminism and the surreal, Hazelhurst Arts Centre

JULIE RRAP work 'Drawn Out' acquired by the National Gallery of Australia

Drawn out (2022) is one of Julie Rrap’s most recent performative self-portraits, the latest in a performative project that began almost fifty years ago.
 
The work, which is in effect a life drawing, comprises a video-performance of Rrap – shot from above, naked and holding a stick of Conté crayon – drawing on a large sheet of paper, moving under instruction of an unseen supervisor. Over a 12-minute period, Rrap’s body and the sheet of paper become covered in black marks as artist, body, sheet and drawing merge in a neat riposte to the way the genre of the nude, and life drawing in particular, usually position the artist and the naked subject. Together, the drawing and the video-performance produce a compelling, feminist self-portrait that is at once poetic and full of pathos. Key to the work’s disruptive power is the fact that this is the body of a 72-year-old woman, whose body we have looked at in the process of making art and ageing since the late 1970s.

'ZAHALKAWORLD: an artist's archive' opens at MAPh

Coming to Museum of Australian Photography (MAPh) this June: ZAHALKAWORLD – an artist’s archive.

Imaginative, immersive and playful, the exhibition invites audiences into the ANNE ZAHALKA's working life and her creative process to explore the illusionary worlds for which she is renowned. Accompanying the exhibition will be a major publication proudly supported by the Gordon Darling Foundation.

IMANTS TILLERS 'Credo' reviewed in Artist Profile

IMANTS TILLERS’ selected essays ‘Credo’ is reviewed by Brooke Boland in the newest issue of ARTIST PROFILE:

‘The recycling, mosaic-like, pieced together nature of Tillers’s practice is similar to the pieced together feeling of his new collection of essays, ‘Credo’, 2023, published by Giramondo Publishing. “Everything exists to end up in a book,” he quotes the French poet Mallarme in this essay “Journey to Nowhere,” 2018. Tillers’s various essays and contributions to journals including Art & Text, Art and Australia, and Heat, among others, art no exception.” – Brooke Boland on ‘Credo’ in Artists Profile

Pick up a copy of Credo when visiting Tillers’ new exhibition AFTER DE CHIRICO at ARC ONE Gallery.

PETER CALLAS on display at the Campbelltown Arts Centre

PETER CALLAS, If Pigs Could Fly [still], 1987, single channel video work, duration: 4:20 mins.

Pioneering video artist PETER CALLAS is on show in the programme 'SHAPESHIFTERS' screening this week at the Campbelltown Arts Centre, as part of the 'The National: Australian art now'.

ONE DAY ONLY! Saturday 3 June 2023, 11am & 2pm.

See 'If Pigs Could Fly' (1987) by Callas, alongside films by Arthur and Connie Cantrill, Daniel Mudie Cunningham, and Tracey Moffatt.

IMANTS TILLERS 'Thrown into the World' Documentary Screening

SPECIAL CINEMA EVENT

Please join Art Atlas for an exclusive screening of the feature-length documentary 'Thrown into the World', directed by Antra Cilinska of Juris Podnieks Studio , which offers unique insight into Tilers’ creative proces and cross-cultural identity.

See the documentary at Kino Cinemas in the CBD, before heading across to ARC ONE to view Tillers' current exhibition 'After de Chirico'. Bookings essential (see below for details)

DATE: Wednesday 31st May
TIME: 10am for a 10.30am start
VENUE: Kino Cinema , 45 Collins St, Melbourne BOOKING: Places are strictly limited. Please book via this link to reserve your ticket: htps:/www.trybooking.com/CIFUU

IMANTS TILLERS - After De Chirico Exhibition Opening & Artist Talk

OPENING THIS AFTERNOON

IMANTS TILLERS: AFTER DE CHIRICO opens at ARC ONE Gallery today, Saturday 27 May, 3-5pm.

In a relationship that transcends the usual definitions of homage and influence, Imants Tillers has maintained an intimacy with the work of Giorgio de Chirico over five decades.

Please join us for an artists talk with Ian McLean and Clare Fuery-Jones on Tillers, de Chirico and the nature of influence and homage in his work.

ARC ONE Gallery hosts MAPh's Artist Photography Auction

This week ARC ONE Gallery is hosting the MAPh Artist photography auction, where lucky bidders can vie for gorgeous works from the likes of Honey Long & Prue Stent, Murray Fredericks, Lydia Wegner and Anne Zahalka.

Tickets are strictly limited, so book now to avoid disappointment.

MAPh has created a unique auction, where the proceeds from sales will be shared equally with the artists, allowing buyers to impact artists and their practice directly. Funds raised through the sale of these artworks will help shape the future of photography in Australia by supporting MAPh's exhibition program, artists and their creative practices.